First of all, it's the opposite, punk was (supposedly) influenced by
situationism, which really amounts to nothing more than the fact that
the manager of the Sex Pistols appropriated situationist
techniques--only I personally think that this appropriation was a
clear example of "recuperation". Teenage

Exhibit 1: I fail to see how not knowing and not caring what one is
doing has anything to do with liberation. Compare this to Detroit
techno, where, although some artists may not initially have known what
they were doing, they most certainly did care, as evidenced by Juan
Atkins very successful articulation of Detroit techno as embodying a
particular aesthetic approach to musical creation.

'Marcus quotes the musician Paul Westerberg as saying that he became
enthralled with the Sex Pistols because “It was obvious that they
didn’t know what they were doing and they didn’t care.” That statement
is the core belief of all the movements that Marcus explores. He
artfully shows that this is not a declaration of nihilism but a
striving for liberation from what the Situationists called “The
Spectacle.”'
http://hcl.harvard.edu/harvardreview/OnlineJournal/HRO_1/reviews/MarcusMcWhirter.html

Exhibit 2: Using situationist-looking graphics doesn't make you a
situationist. Note how the album covers are "eagerly sought after by
collectors today"--precisely a recuperation within the context of
consumer culture.

'Not much later, Reid placed his collage style -- commingling mass
media texts with cut-outs -- at the disposal of Malcolm Maclaren, also
a King Mob veteran. Maclaren's management -- not to mention his
manufacture -- of the Sex Pistols, looks suspiciously like a cynical
experiment in Situationist social engineering. Some of the graphics
which adorn Sex Pistols album covers (eagerly sought after by
collectors today) Reid had previously placed in pro-situ
publications.'
http://www.primitivism.com/situationism.htm

~David

On Sun, Mar 3, 2013 at 11:03 PM, Philip McGarva <philipmcga...@gmail.com> wrote:
> situationism was punk, see g. marcus 'lipstick traces' :^)

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