I think the web site D.PART does a nice job of drawing connections between techno, art, and the visionary architecture of Labbeus Woods (http://music.hyperreal.org/d.part/).

As for the concrete vs. abstract distinction, I think it's a little more complicated than Elliot Taub implies below. When we say that a painting is abstract, we mean that it doesn't attempt to represent something else. Even representational paintings can be somewhat abstract, as when one becomes aware of shapes and visual patterns--for themselves--in a Hopper painting.

But do buildings, by and large, attempt to *represent* anything? To be sure, they do occasionally. There's a synagogue nearby (designed by Yamasaki?) that is built to suggest a tent. Another place of worship is built to look like hands folded in prayer.

But it seems to me that these are exceptions. What, for instance, do the octagonal towers of Portman's Renaissance Center represent? What about the curves of the Guggenheim or the mosque dome of the capital building in D.C.? It seems to me the primary pleasure of structures derives from their shapes--in themselves--not from them acting as pointers to something else. Even the examples of the tent and folded hands above are primarily pleasing to look at because of their abstract visual patterns, not because we think, "Hey, that looks like a tent."

Music is often talked about as the supremely abstract art form, but there are many ways in which it is also concrete, especially dance music like techno. It seems to me that techno can often "represent" emotions more directly and concretely than visual art. I often look at an abstract painting feel little emotional response, yet when I listen to techno I often feel intense emotion. I realize I'm bending the term "abstract" a little here, but it seems to me that there is a sense in which the body-centered dimension of techno is very concrete. Remember that one definition of concrete is "perceptible by the senses." Surely techno fits that!

Concrete or not, as Elliot implies below, music and architecture are both art forms and can both be talked about as expressing emotion, communicating a message, eliciting an aesthetic response. They can both embody ideas--as when community is "built into" a neighborhood or is fostered by listening to techno. All of these seem fairly robust connections, and I'm sure this is just the tip of the iceberg. I'd hate to see conversation stifled by rhetoric like "I can tell you there is no connection whatsoever." Bit of an overstatement, no? :)

Best,

dms










I have a degree in Architecture, practiced as an architect for a few years,
and make techno. I can tell you there is no connection whatsoever, other than
superficial comparisons of musical meter to architectural structure. Music is
the only truly abstract artform, and architecture is entirely concrete (no
pun intended).

That's what I think, at least.

e

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