I've always found old school dub music to be the most psychedellic of all music; they way King Tubby and the other great ones used flanger, delay, and reverb was incredible...and in my opinion, impossible to recreate with digital effects (as has been made painfully apparentl with most modern dub). So naturally I've gravitated to the dub infected sound of Maurizio, Maus & Stolle, Basic Channel label, Chain Reaction, Thule, Klang, etc. Of course most of this isn't really rooted in Detroit, but hey, 313ers talk about it anyway =] For me, it's the minimal techno & house sound heavy on well placed delays, dub chords, etc. that really gets the noodle thinking on another level. Juan's "Starlight" fits this to a T and that's surely d-town spawned =P
I like my techno sparse and my d'n'b dense =] GYS np: Porter Ricks > > > > > I personally would love to see something like > > > goa-style trippiness and experimentation explored in > > > Detroit techno. I've heard hints of it in a few > > > things and its been quite fun. > > this sounds interesting.. can you give some examples? > > > --------------------------------------------------------------------- > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > >
