sorry to burst your bubble here todd, but the berlin guys (including maurizio) switched to digital and software fx quite a few years ago ;)
Christian Bloch www.mp3.com/bloch Tresor/LL/Deep Night Essentials/Simple Muzik/Funque Droppings/Set.Go ----- Original Message ----- From: "Todd Gys" <[EMAIL PROTECTED]> To: "'Patrick Galvin Kasarski'" <[EMAIL PROTECTED]>; "'Nick Walsh'" <[EMAIL PROTECTED]> Cc: "'mee-thod'" <[EMAIL PROTECTED]>; <313@hyperreal.org> Sent: Monday, December 11, 2000 9:07 PM Subject: [313] Tripped out Detroit > I've always found old school dub music to be the most psychedellic of all > music; they way King Tubby and the other great ones used flanger, delay, and > reverb was incredible...and in my opinion, impossible to recreate with > digital effects (as has been made painfully apparentl with most modern dub). > So naturally I've gravitated to the dub infected sound of Maurizio, Maus & > Stolle, Basic Channel label, Chain Reaction, Thule, Klang, etc. Of course > most of this isn't really rooted in Detroit, but hey, 313ers talk about it > anyway =] For me, it's the minimal techno & house sound heavy on well > placed delays, dub chords, etc. that really gets the noodle thinking on > another level. Juan's "Starlight" fits this to a T and that's surely d-town > spawned =P > > I like my techno sparse and my d'n'b dense =] > > GYS > > np: Porter Ricks > > > > > > > I personally would love to see something like > > > > goa-style trippiness and experimentation explored in > > > > Detroit techno. I've heard hints of it in a few > > > > things and its been quite fun. > > > > this sounds interesting.. can you give some examples? > > > > > > --------------------------------------------------------------------- > > To unsubscribe, e-mail: [EMAIL PROTECTED] > > For additional commands, e-mail: [EMAIL PROTECTED] > > > > > > > --------------------------------------------------------------------- > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] >
