Hey Laura

How are you?

I had been meaning to call and catch up now my baby ed is back and I can
take some time out. The events in the US are terrible and deeply troubling
and I want to know everyone is OK. I hope your family and friends are OK. I
will try calling again this week.

Heaps of love

Cyclone


----------
>From: "laura gavoor" <[EMAIL PROTECTED]>
>To: [EMAIL PROTECTED], 313@hyperreal.org
>Subject: Re: [313] Detroit + Dance--ON topic!!
>Date: Tue, 21 Aug 2001 1:01 AM
>

>Races of people are DEFINED and otherwise anthropologically analyzed and 
>studied by the culture of their society(ies).  That being said, our culture 
>will be defined by the 'dance' exhibited in music videos and titty bars.
>
>For decades, Americans have only supported ballet and classical music-- both 
>white, European and considered 'upper crusty'.  While classical music has 
>been all but eliminated from some folks diets, like in Detroit where we now 
>support NO classical music radio station.
>
>Most underclass art forms-- like the black dance-- have had to market 
>fiercely and find support from private foundations and institutions to have 
>a presence and continue enriching the lives of the TRULY unimaginative 
>capitalist.
>
>Dancers are like any other artist.  They simply know they must dance, or 
>their lives are over, lackluster and pain-filled.  We've survived and will 
>continue to survive whether we are popular by your definitions or not.   
>Much like the music and artists that this list is built around, some years 
>may bring popularity and more revenue, most will not.
>
>It detracts NOT from the art and certainly not from this artist.
>
>I imagine you've never, BY YOUR OWN DESIRE, ever gone to see ANY dance 
>company.  Why should you when there are professional atheletes ?  Americans 
>have become a people very much like lemmings--ignorant of not only the 
>present, but with eyes wide shut running after the head 'lem' straight off a 
>cliff.
>
>Like any act from one's higher self, dance is a joy experienced only in The 
>Expression or The Giving.  While it is meant to take something obscure, 
>illuminate it and clarify it, it matters not a whit whether you get it or 
>not.  It will continue in spite of you.
>
>To see movement of the caliber that I experienced watching the Ailey dancers 
>was the highest form of appreciation that Roy Davis Jr., et. al could 
>possibly envision.  Beat for beat, musically technical elocution matched 
>impeccably with physically technical elocution...those dancers EMBODIED 
>Roy's music.  It looked surreal, but was actually happening, on a stage in 
>downtown Detroit.
>
>He and I had a long conversation about just that in Miami at the WMC.  He 
>was so excited to see the piece performed after he licensed the track to the 
>company for their use, he is already working on something else with the same 
>choreographer.
>
>The Alvin Ailey company is a dance company by which ALL other dance 
>companies are graded, whether one is aware of them or not, or whether one 
>supports them or not.  Just as they will take it as far as they can, most 
>dancers or artists of any genre will do the same--because it is who they 
>are--not because it is popular or supported.
>
>Buy your season tickets to whatever you feel compelled to follow or whatever 
>YOU feel enriches your one dimensional existence.
>
>Oddly, the darkest moments of human existence are always rapidly followed by 
>'the renaissances' of the arts/existence.  The American government is one of 
>the only that does not even support a national ballet company, much less a 
>company like Ailey's.
>
>It matters not.  The human imagination exists not to garner a profit...it 
>simply exists.  Dreaming of Utopia is FREE and cannot be governed.  That was 
>one thing Hitler failed to realize when he marched into each major city and 
>immediately seized museums, art, libraries and eliminated any expression of 
>human existence that were subversive to his goal.
>
>Deluded??  Who??
>
>Art, of any type, will always stimulate change....but perhaps you LIKE the 
>way things are now.  Just a guess........
>
>
>>From: "Joshua Hill" <[EMAIL PROTECTED]>
>>To: "laura gavoor" <[EMAIL PROTECTED]>, <313@hyperreal.org>
>>Subject: Re: [313] Detroit + Dance (off topic)
>>Date: Sun, 19 Aug 2001 18:57:50 -0400
>>
>>----- Original Message -----
>>From: "laura gavoor" <[EMAIL PROTECTED]>
>>To: <313@hyperreal.org>
>>Sent: Sunday, August 19, 2001 7:26 PM
>>Subject: Re: [313] Detroit + Dance
>>
>>
>> > Still amazes me how dense most Americans are when it comes to the arts.
>> > Sorry to soap box, but few dancers live very OKAY lives for lack of
>>support
>> > in this country.  Most still live the life of the starving artist with a
>> > couple of other jobs to survive, even while maintianing a position in 
>>one
>>of
>> > the world's most prestigious dance companies.
>> >
>> > After all...what is dance music without the dancer.
>>
>>Speaking of dance music, isn't the dancer (in America) usually the dense
>>American?
>>
>>If a professional dancer is with "one of the world's most prestigious dance
>>companies" and still needs to hold multiple jobs, then isn't this a global
>>issue and not some problem of priorities with "most Americans"?
>>
>>Or perhaps the problem is specifically American: "How many poor people, who
>>envy and hate the rich, nevertheless tolerate monstrous inequalities of
>>wealth merely because they hope eventually to be among the few who rise to
>>the top? Some even consider this vicious delusion admirable: 'the American
>>Dream.'" (Allen Wood).
>>
>>Or maybe we average Americans don't support professional dancers because we
>>are expected, by the dancers, to support them as if they are the string by
>>which our distorted values cling to the isolated pockets of "critically
>>aclaimed" cultural enlightenment.
>>
>>/j
>>
>
>
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