Hi all, A lot of the old records by Mills have tracks on them that do not start at normal volume levels, but somehow the track gets faded in. (And not only Mills of course)
Am I the only one who thinks of this being a real drag? I really like a specific track from AX009 but I find it really impossible to mix when there is a monitor speaker blasting in my left ear. These are the type of records that cause major trainwrecks in my DJ sets! I consider most of Mills' stuff being really DJ friendly, but why does he produce his tracks this way? Also, anyone got tips on dealing with this? W ------------------------------------------------------------------------------ The information in this Internet email is confidential and may be legally privileged. It is intended solely for the addressee. Access to this Internet email by anyone else is unauthorised. If you are not the intended recipient, any disclosure, copying, distribution or any action taken or omitted to be taken in reliance on it, is prohibited and may be unlawful. When addressed to our clients any opinions or advice contained in this Internet email are subject to the terms and conditions expressed in any applicable governing ING terms of business or client engagement letter. Visit us at www.ing.com ------------------------------------------------------------------------------ --------------------------------------------------------------------- To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
