hmm this is a rehashed idea to say the least.
mille plateaux has been into glitch for a while and 12k busted open the whole microsound concept in like 97 or 98 getting in on glitch now is going to be viewed as jumping on the bandwagon -Joe ----- Original Message ----- From: "Mark S. Krüx" <[EMAIL PROTECTED]> To: "tom churchill" <[EMAIL PROTECTED]>; "313" <313@hyperreal.org> Sent: Monday, June 24, 2002 12:30 PM Subject: Re: [313] FK / Clicktracks / Rob Rives... > TC>>> CREAMER, John & STEPHANE K/DYLAN DRAZEN: Tora Chan (Clicktracks > US) 12": John Creamer & Stephane K-"Tora Chan"/Dylan Drazen-"Air Pressure" > (WM > 50086) > > What sort of record is it then?? Was/is there a sample? > > The thought of John Creamer doing something clicky is VERY intriguing. John > used to help me pick out Techno cuts at Eightball way back when and I still > play a lot of those records... > > John has gone down a more commercial road of late...I'd be interested to > find out if this release veers from that at all;-) > > On the website it mentions Rob Rives is one of CT's recording artists...also > very intriguing. Rob has done some cool *minimal* stuff (in a deep NY house > kinda way) using some very cool sounds on Wave. I'd be interested to hear > what he comes up with for a label that describes itself this way: > > "About Clicktracks - > > As the new millenium unfolds comes the need for a new kind of music, > different sounds that don't quite fit the aesthetic norm of things past. New > directions in music is a tall order, but we'd like to encourage that kind of > a mindset with our newest label, Clicktracks. > > This is all about the post-millenial angst of electronic beats and abstract > computerworld textures tied together in a very dark, trippy and minimal dub > state of mind. Do not expect any pretty melodies or fancy songs here, rather > the droning inescapable hypnotic hum of a microprocessor groove in > saturation mode and overdrive. Music for robots? We think a more adequate > description would be a label that will definitely be part of the rise of a > new undercurrent in dancefloor-friendly electronic music composition." > > Laters, > > m* > > > --------------------------------------------------------------------- > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > --------------------------------------------------------------------- To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
