sorry, my comments were re: the premise of clicktracks
----- Original Message ----- From: ":P" <[EMAIL PROTECTED]> To: "Mark S. Krüx" <[EMAIL PROTECTED]>; "tom churchill" <[EMAIL PROTECTED]>; "313" <313@hyperreal.org> Sent: Monday, June 24, 2002 1:35 PM Subject: Re: [313] FK / Clicktracks / Rob Rives... > hmm > > this is a rehashed idea to say the least. > > mille plateaux has been into glitch for a while and 12k busted open the > whole microsound concept in like 97 or 98 > > getting in on glitch now is going to be viewed as jumping on the bandwagon > > -Joe > > > ----- Original Message ----- > From: "Mark S. Krüx" <[EMAIL PROTECTED]> > To: "tom churchill" <[EMAIL PROTECTED]>; "313" <313@hyperreal.org> > Sent: Monday, June 24, 2002 12:30 PM > Subject: Re: [313] FK / Clicktracks / Rob Rives... > > > > TC>>> CREAMER, John & STEPHANE K/DYLAN DRAZEN: Tora Chan (Clicktracks > > US) 12": John Creamer & Stephane K-"Tora Chan"/Dylan Drazen-"Air Pressure" > > (WM > > 50086) > > > > What sort of record is it then?? Was/is there a sample? > > > > The thought of John Creamer doing something clicky is VERY intriguing. > John > > used to help me pick out Techno cuts at Eightball way back when and I > still > > play a lot of those records... > > > > John has gone down a more commercial road of late...I'd be interested to > > find out if this release veers from that at all;-) > > > > On the website it mentions Rob Rives is one of CT's recording > artists...also > > very intriguing. Rob has done some cool *minimal* stuff (in a deep NY > house > > kinda way) using some very cool sounds on Wave. I'd be interested to hear > > what he comes up with for a label that describes itself this way: > > > > "About Clicktracks - > > > > As the new millenium unfolds comes the need for a new kind of music, > > different sounds that don't quite fit the aesthetic norm of things past. > New > > directions in music is a tall order, but we'd like to encourage that kind > of > > a mindset with our newest label, Clicktracks. > > > > This is all about the post-millenial angst of electronic beats and > abstract > > computerworld textures tied together in a very dark, trippy and minimal > dub > > state of mind. Do not expect any pretty melodies or fancy songs here, > rather > > the droning inescapable hypnotic hum of a microprocessor groove in > > saturation mode and overdrive. Music for robots? We think a more adequate > > description would be a label that will definitely be part of the rise of a > > new undercurrent in dancefloor-friendly electronic music composition." > > > > Laters, > > > > m* > > > > > > --------------------------------------------------------------------- > > To unsubscribe, e-mail: [EMAIL PROTECTED] > > For additional commands, e-mail: [EMAIL PROTECTED] > > > > > --------------------------------------------------------------------- > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > --------------------------------------------------------------------- To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
