... One bad thing for this year tho,

Not nearly enough rsetrooms!

evrything else excellent.



----- Original Message -----
From: Fred Heutte <[EMAIL PROTECTED]>
Date: Tuesday, May 27, 2003 2:04 am
Subject: (313) Movement '03

> It's all over now except for the shouting :)
> 
> The good news is, it was a great festival.  The bad news is -- 
> hmm, 
> I can't really think of anything.
> 
> To the average attendee, I would bet this year's felt pretty much
> like the previous three -- and that is the result of a lot of 
> incrediblyhard work.  The staging, sound and lighting were all 
> really good and
> there were few real problems.  Things actually ran pretty close to
> schedule.  
> 
> Probably the two biggest changes this year, both for the good, were
> the lack of crass commercial hype (OK, Bacardi excepted) and the
> upgrade of the staging on all four stages:
> 
> Movement (main stage): a great idea to move it down to the plaza
> level, it really helped the DJs and musicians connect better with the
> crowd, and I thought the sound was considerably better overall.
> 
> High Tech Soul: this was in the small ampitheater area on the north
> side which had gone unused in previous festivals.  A huge improvement
> for audience seating and the sound was also much better.
> 
> Music Institute: the tent worked pretty well at enclosing the space
> and keeping focus on the music, and of course was welcome during
> the few rainy periods.  And four-corner sound made another leap
> upward in quality.
> 
> Underground: again, moving from the back (stage right) corner to the
> center made the performances much more visible and improved
> crowd circulation.
> 
> Musically, it's hard to top what we got this year.  I found more of
> sets and live performances perked up my jaded ears than the last
> couple years.  In no particular order of importance, some of my
> highlights:
> 
> Buzz Goree/Stacey Hale/K Hand back to back at the MI stage on
> Friday.  Straight up great dance music.
> 
> Ectomorph live, an even stronger show than they did in Portland
> 
> Shake shaking the rafters of the tent with a superb funky set ranging
> from electropop to "Radio Clash"
> 
> Matthew Dear with a well constructed live set that managed to
> walk the line between beats and abstraction
> 
> Stacey Pullen's first hour was as good as I've heard from him in
> a long time, he really has learned how to move a big crowd (although
> that tendency kind of took over later in the set)
> 
> Liquid Liquid was on fire, what a great performance that was,
> the energy was just tremendous
> 
> Carlos Souffront/Marcellus Pittman/Norma Jean Bell played three
> really different and absorbing styles through the afternoon today
> on the main stage.  Marcellus was a fill-in and he played a cool and
> jazzy set during the rain that kept the energy going.
> 
> Dan Bell -- a terrific set, just the right balance of classics and
> new stuff with a steady, unhurried approach
> 
> And what can I say about Jeff Mills, who just roared after the
> initial equipment problems.  
> 
> I'll say more about the pre and after parties elsewhere -- let the 
> festival stand for itself.  Today may have been my favorite single
> day of all four years.
> 
> Total respect to Derrick May and everyone who made it happen.
> What a blast!
> 
> phred
> 
> 

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