i find that a mix consisting entirely of "train-wrecks" can be really quite exciting. with all the cacophony and dischord present, the occassional, accidental instance of beat-matching will appear as an epiphany to the irritated listener. people don't let me get on the decks too much anymore... i'm not allowed to use the TV remote either. oh well.
lrh > > From: <[EMAIL PROTECTED]> > Date: 2004/01/08 Thu AM 07:42:54 EST > To: <313@hyperreal.org> > Subject: (313) how do you mix > > ok so i am curious to know how you all mix, im not into tricks and things i > just want a nice smooth mix without endless beatmatching (get on with the > tunes i say!) > > generally when i mix house i tend to bring the next tune in with the bass > turned 3/4 of the way down and gradually bring it up as i bring the outgoing > tune's bass down then i wind down the volume until it is faded out. or ill > bring a tune in with the bass almost off then at the appropriate time ill > swap the bassline into the new tune (if that makes sense) > > anyway its getting a bit 'samey' and im looking for some tips > > ab > > > --- > Outgoing mail is certified Virus Free. > Checked by AVG anti-virus system (http://www.grisoft.com). > Version: 6.0.558 / Virus Database: 350 - Release Date: 1/2/04 > >
