We tended to imagine the DJ holding an assault rifle, gunning down the crowd. :)
-----Original Message----- From: Aiden Hopfner [mailto:[EMAIL PROTECTED] Sent: Thursday, January 08, 2004 5:27 PM To: [email protected] Subject: Re: (313) Re: how do you mix This phenomena is also known as "the buffalo stampede" or, if especially good "a drum kit falling down the stairs" -s ---------------- On Friday, January 09, 2004, at 04:29AM, <[EMAIL PROTECTED]> wrote: >LOL! excellent! I once heard someone refer to that as the >sound/effect of "sneakers in the dryer" > >I'm not into fancy stuff at all and usually take the road that the >music stands for itself, "as-is." I don't usually futz around with very >fine controls unless I feel it adds something to what I'm doing. When I >first started I used to keep my indiv level controls up and then use >the fader left-to-right, etc. but then somewhere along the way I >changed to mostly not using the master fader at all and just using the >levels for each channel (and my ears & watching the levels). But then >it really depends on what you're doing & how you're doing it. Also >whatever kind of tunes you're playing. I think some lend better to the >mad/slam back & forth that one can get from using the master fade. > >I have to say tho' - the train wreck method IS really entertaining - >I've spent some time there myself! Nowadays it's mostly slight drag or >missed measures that can sneak up on me ... ;) > >lisa > >----- Original Message ----- >From: [EMAIL PROTECTED] >Date: Thursday, January 8, 2004 7:57 am >Subject: Re: (313) how do you mix > >> i find that a mix consisting entirely of "train-wrecks" can be >> really quite exciting. with all the cacophony and dischord >> present, the occassional, accidental instance of beat-matching >> will appear as an epiphany to the irritated listener. people >> don't let me get on the decks too much anymore... i'm not allowed >> to use the TV remote either. oh well. >> >> lrh > > > >
