On 23-jan-04, at 16:32, Blackman, Ryan (UKEKT) wrote:
Continuing from Kens' message, does anyone have any "theories" as to
why so
many of the producers create these weird and completely out of time
breakdowns/start ups?
I recon that people do it because it sounds cool and they don't really
think about dj's when making a track (well at least i don't)
One suggestion I have heard is that it is "easier" to switch the
machines
"off" to achieve the small silence, due to their analogue nature, but
I'm
not sure about this. I'm not sure, because when this theory was
raised, we
were listening to a Rob Hood record, and if Rob wants silence, he can
get it
from his machines, right? My theory is that it is designed to spaz out
the
dancefloor......at the risk of causing chaos for DJ's....
What do you think???
-----Original Message-----
From: Odeluga, Ken [mailto:[EMAIL PROTECTED]
Sent: 23 January 2004 3:26
To: [EMAIL PROTECTED] Org
Subject: (313) Red Planet 9
Ten seconds please: dismissed 'Revenge of The Wolf' for months, but
having
dug out it again and *used* it, I have to say, it is very, very deep,
wierd
and quite sick - and a great tool ... as long as you don't take a
chance
with the second breakdown.
Happy Fridays,
k
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