Its also a way of making sure that the track doesn't become just a mixing
tool; i.e. its necessary to let the track play on its own up to a certain
point, before starting to bring in the next one. This ensures that a larger
portion of the track is played and that there are no other sounds
"interfering" with it.

-----Original Message-----
From: kj at technotourist dot org [mailto:[EMAIL PROTECTED]
Sent: 23 January 2004 15:36
To: Blackman, Ryan (UKEKT)
Cc: 'Odeluga, Ken'; [EMAIL PROTECTED] Org
Subject: Re: (313)Random Drums / was Red Planet 9



On 23-jan-04, at 16:32, Blackman, Ryan (UKEKT) wrote:

> Continuing from Kens' message, does anyone have any "theories" as to
> why so
> many of the producers create these weird and completely out of time
> breakdowns/start ups?

I recon that people do it because it sounds cool and they don't really
think about dj's when making a track (well at least i don't)


> One suggestion I have heard is that it is "easier" to switch the
> machines
> "off" to achieve the small silence, due to their analogue nature, but
> I'm
> not sure about this. I'm not sure, because when this theory was
> raised, we
> were listening to a Rob Hood record, and if Rob wants silence, he can
> get it
> from his machines, right? My theory is that it is designed to spaz out
> the
> dancefloor......at the risk of causing chaos for DJ's....
>
> What do you think???
>
> -----Original Message-----
> From: Odeluga, Ken [mailto:[EMAIL PROTECTED]
> Sent: 23 January 2004 3:26
> To: [EMAIL PROTECTED] Org
> Subject: (313) Red Planet 9
>
>
>
> Ten seconds please: dismissed 'Revenge of The Wolf' for months, but
> having
> dug out it again and *used* it, I have to say, it is very, very deep,
> wierd
> and quite sick - and a great tool ...  as long as you don't take a
> chance
> with the second breakdown.
>
> Happy Fridays,
>
> k
>
>
>
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