some of the files on these sites are in .xm format - what's the deal with those 
? how do they achieve such compression levels ???
Gwendal

> -----Original Message-----
> From: Ronny Pries [mailto:[EMAIL PROTECTED]
> Sent: Tuesday, February 10, 2004 9:11 PM
> To: 313@hyperreal.org
> Subject: RE: (313) tresor meets apple
> 
> 
> I'm trying to offer the best spread between size and quality on my
> netlabels (www.rohformat.de, www.primative.net/schleudertrauma/ <
> shameless self promotion - GOTCHA! ;). That's actually vbr mp3's
> compressed with lame 3.90.3 codec using the --alt-preset standard
> setting. Right now i'm almost alone with vbr in the netlabel 
> scene. Many
> others still use lame compressed 192kb HQ mp3's. I would also love to
> offer .ogg which i consider to be way better, qualitywise - 
> it's not yet
> spread broadly enough. Since a lot of people in our 
> "audience" are using
> Traktor/FS i won't move to .ogg before N.I. will support it.
> 
> On a sidenote, the difference between lame --alt-preset 
> standard or .ogg
> and lossless formats isn't significant enough to approach our 
> users with
> lossless compressed files that are up to 7 times bigger. Many 
> people who
> download music from netlabels aren't flatrate or highspeed internet
> users. Maybe in some years the public request for lossless 
> files will be
> strong enough to make the step. I don't see that for now as 
> it's also a
> storageproblem, and hd's aren't up for this task yet ;)
> 
> I personally think that discussion about file compression techniques
> should be hold under seperate cover (bet that'd be a nice flamewar,
> heh...)
> 
> The thing that worries me most about apple etc, they all try to punish
> the user to use their own software to play their native formats. It's
> the same as with cd copy protection, the customers don't want to have
> limited access to products they buy. Back to aac (e.g.), converting
> between compressed formats doesn't make sense and are NO 
> option as some
> industry people might tell us. 
> 
> About the bandwidth, storage space vs quality problem:
> 
> Of course, bigger files have higher fixed costs. But why is there no
> option for the customers to choose buying better quality for a higher
> price? I bet the industry assumes that the usual customer is 
> a dumbo and
> satisfied with the crap they sell there (pity, that's even true :/ ).
> Well, where is this heading to? I bet it needs some group 
> effort in the
> "underground", i.e. a foundation of independant labels 
> offering music in
> reasonable quality. Instead, i have to learn that Tresor 
> joins apple :(
> 
> The only thing that makes me a little bit happy about the situation:
> 
> the amount of hits on netlabel websites is steadily growing. 
> So should i
> cry or laugh?..
> 
> My 2,5 €cent.
> 
> Ronny
> 
> > two threads coming together at the same time...
> > 
> > so as there are a lot of independent label runners on this 
> > list who might be considering digital distribution what 
> > format do you think digital releases should be released in?
> > 
> > high bit rate lossy compressed format (mp3/ogg/aac) or full 
> > width wavs/aiffs?
> > 
> > i favour the latter. i have the bandwidth tho.
> > 
> > robin...
> > 
> > 
> > -> Too bad the quality offered by Apple is still way below 
> > enjoyable or 
> > -> even playable :( Until the point they start selling 
> music encoded 
> > -> with reasonable codecs in a file format that can be used by any
> > -> application i
> > -> can only say:
> > -> 
> > -> IT SUCKS.
> > -> 
> > -> Even if the entire 313 music history would be available there.
> > -> 
> > -> Thx for listening,
> > -> 
> > -> Ronny
> 
> 

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