not necessarily, to pick one example if you look back over detroit history a lot of tracks were created by one person and then re-edited before release by another person. it's how a lot of detroit artists got their break... (it's mentioned in Dan Sicko's Techno Rebels btw, a book i recommend anyone read if they haven't already)...of course this was in the days of tape edits.

robin...


... sounds like the best answer so far. Bringing a second question : a re-edit is usually done without the original artist's authorization, while a remix is "commissioned" by the artist, right ?

Gwendal



-----Original Message-----
From: Tom Churchill [mailto:[EMAIL PROTECTED]
Sent: Wednesday, March 03, 2004 11:42 A

M
To: Cobert, Gwendal; 313
Subject: Re: (313

edits


what is the difference between an "edit" and a "remix" ???



A re-edit, in the original sense of the word, uses only the final

two-channel (stereo) recording of a song, which is then cut

up, extended,

shortened, reversed, put through effects etc. These days this

would most

likely be done in audio software like Pro Tools, Logic or

Cubase, but in the

old days it would be done by cutting and splicing

quarter-inch reel-to-reel

tape.



A remix, on the other hand, is generally done by someone

who's been given

access to the original multi-track tape (in the old days) or

individual

sounds, loops, samples, beats etc (today). The remixer can

then use as many

or as few of the original building blocks of the song as they like, in

conjunction with musical elements created themselves, to

create a new track

which uses any number of parts of the original.



The primary difference being that anyone with a copy of the

record can do

their own 'edit', but to do a proper 'remix' you need the

original producer

to provide you with the song's original 'building blocks' in

isolation.



Cheers,



Tom






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