This sounds good! They don't have to be strictly electronic either. I am quite intrigued by some of the soundtracks which have been influential on electronic types or appropriated by that wider scene. Eg, how come Morricone comps get reviewed in electronic/dance mags (even when no remixes)? I wonder what the duds could be, hmmm, Oakenfold? Ha.
---------- >From: "Simon Hindle" <[EMAIL PROTECTED]> >To: <313@hyperreal.org>, <[EMAIL PROTECTED]> >Subject: Re: (313) Soundtracks >Date: Thu, 9 Dec 2004 9:58 AM > > There's a Japanese-only Appleseed soundtrack that's really good - a > couple of duds but it also contains the sublime Akufen cut, "The > Dragonfly Who Thought He Was a Mockingbird"... > > tracklisting: > > 01. Boom Boom Satellites /Dive For You > 02. Paul Oakenfold / Burns Attack > 03. Basement Jaxx / Good Luck > 04. T. Raumschmiere / One Man Army > 05. Boom Boom Satellites / Bump Over Hills > 06. Ryuichi Sakamoto / coro > 07. Atom / White Car > 08. Carl Craig Vs Adult. / Hand To Phone (Appleseed Version) > 09. Akufen / The Dragonfly Who Thought He Was a Mockingbird > 10. Boom Boom Satellites / Anthem > 11. Boom Boom Satellites / Under Dog > >>>> "Cyclone Wehner" <[EMAIL PROTECTED]> 9/12/2004 9:35:46 am >>>> > I am into interesting soundtracks at the moment and need some > suggestions. > Of course I know Bladerunner! > > I have been listening to Badalamenti's Mulholland Dr (the main theme is > very > Mayday, struck me first time!) > Morricone's Exorcist II: The Heretic - very strange, takes in rare > Morricone > rock moment > Zimmer's King Arthur (man, I love that film for its er posmodern > historicity, wow, never knew there was a knight with an Aussie accent > either). > >
