I enjoyed John Tejada and Justin Maxwell quite a bit this weekend. Anyone
know what the hardware they are using is? They had identical synth/sampler
thingys with no laptop in sight.

Gretchen


On 11/21/05 12:39 PM, "Fred Heutte" <[EMAIL PROTECTED]> wrote:

> Notes from a fan . . .
> 
> I was in San Francisco over the weekend -- primarily to see the
> Meters, a band which I have a tremendous affinity for.  The
> second record I ever bought (hold on to your socks, kids) in
> 1969 was "Cissy Strut."  When musicians talk about a beat being
> "in the pocket," this record kind of defines that.  The show was
> at the Fillmore and ran a little late because of technical problems
> in the first set, but I thoroughly enjoyed it
> 
> Ziggy Modeliste has emerged as a real showman and really played
> it up for his hometown crowd (he's lived in the Bay Area for
> years), Leo Nocentelli played guitar faster and with more charm
> than anyone has a right to expect, George Porter -- what can
> I say, the master of funk bass, and Art Neville is looking and
> sounding great.
> 
> They're finishing this mini-tour on Friday night at the new Nokia
> Theater in Times Square.  Although obviously things are still in
> flux I would expect they'll play Mardi Gras and Jazzfest next
> year in N.O., and maybe do more touring.  I'm pretty much
> not interested in reunion gigs generally, but these guys are worth
> seeing and they play fiery hot . . .
> 
> The show ran late so I went over to Club RX (where yrs truly
> actually played a little at the tenth anniversary of the Mad techno
> weekly last Friday), but got there too late to hear John Tejada
> and Justin Maxwell's live set.
> 
> On to the "Gingerbread Warehouse" -- this place is set up as an
> art-gallery-warehouse-speakeasy in the industrial area off Cesar
> Chavez.  Tables, chairs, a bar with $3 setups and bring-your-own-
> brown-bag-baby, which sounds good but I have to say it was
> rather antiseptic, and the place was only half-full and not very
> much excitement.  Delano Smith was playing when I arrived,
> pretty OK but not thrilling.  Mike Clark started around 2:45
> and I stayed until he finished at 4:30.  The last 45 minutes were
> pretty darn good and he had at least a few of us out on the floor.
> 
> I have to say, though, that alcohol has become the focal point
> of the dance music scene in SF to an unprecedented extent.
> Don't get me wrong, I like mine as much as anyone, but instead
> of contributing to party-hearty looseness it just has become a
> big distraction.
> 
> So I hope Delano and Mike had a good time, and it was worth
> it being in SF this weekend with the 75 degree sunny weather
> no matter what, but I do wish there was more of a crowd ready
> for serious music action.
> 
> Fred
> 

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