Honestly, what matters besides the actual compositions? I'm enough of a studio rat to care about things are produced, but the actual method that someone uses is irrelevant, except as it facilitates the result. It's not like you can't make sh*t tracks with analog gear.
I program computers for a living, and do the people who use my software to outline the anatomical features of the brain and measure their volume care whether I used a stack, a queue, or a linked list? It's easy to play a piano. You just sit down and bang away at the keys. Doesn't make you Glenn Gould innit? On 9/3/06, chthonic streams <[EMAIL PROTECTED]> wrote:
it is much easier to get a track up and going and sounding like something close to what they expect to hear (based on the sound coming out of computers and mp3 players) with software like acid. and so tracks can be completed in a short amount of time without learning much about how to make them sound good (and let's not even get started on the actual composition of the pieces).
