i like minimal straight hats and kicks as much as the next man, but to me theyre most effective when mixed up with other beats and rhythms. a minimal acid cut sounds good all the time, but it REALLY sounds good when youre mixing it into some weird electro or disco cut. too few people are out there switching up the rhythms. detroit deejays are usually good for that kind of thing though, derrick may, shake, and theo parrish are extremely notable cats who will play all sorts of different rhythms and make the "boring" techno beat sound so good because of the juxtaposition.
Exactly. This is what's missing with so many (in fact, most) DJs these
days. Few people mix up their styles, they just stick to one particular
sub-sub-genre for their whole set. Often for the entire night in some
clubs.
No matter how wicked the tracks are, any sound becomes dull if it
doesn't change or involve any dynamics.... dynamics are equally
essential for a good set, especially the ability to take it down as well
as up... Takes a brave (& skillful) DJ to do that though...
- (313) What's happened to rhythms? Michael . Elliot-Knight
- Re: (313) What's happened to rhythms? David Powers
- Re: (313) What's happened to rhythms? Michael . Elliot-Knight
- Re: (313) What's happened to rhythms? Thomas D. Cox, Jr.
- RE: (313) What's happened to rhyt... pauley
- Re: (313) What's happened to... Matt Chester
- RE: (313) What's happene... Gil Yaker
- Re: (313) What's hap... robin
- RE: (313) What's happened to... Michael . Elliot-Knight
- Re: (313) What's happene... David Powers
- Re: (313) What's hap... Matt Kane's Brain
- Re: (313) What's hap... robin
- Re: (313) What's hap... Michael . Elliot-Knight
- Re: (313) What's hap... kent williams
- Re: (313) What's hap... Thomas D. Cox, Jr.
- Re: (313) What's hap... Michael . Elliot-Knight