That's interesting ... I think it would be fair to say they were
heavily influenced by Detroit records (specifically Kevin Saunderson
basslines), whenever it was they first heard 'em.
-d
At 12:50 AM +0100 11/28/01, <[EMAIL PROTECTED]> wrote:
Just watching tonights episode, pretty mad.
Hearing Joey Beltram talk about how he couldn't understand how he
got labeled as a techno producer after making Energy Flash and that
to him it was just a house tune. I think it really says a lot for
the New York sound of the time. When I interviewed Frankie Bones he
said that none of the music from Detroit really began to filter into
NY until the early 90s and that all the early Nu Groove stuff that
they all did really was concieved in isolation from techno.
I have to say, its a pretty good programme and has been telling it
pretty much how it was, even if Derrick May did slate England for
labelling music too much :)
Stewart
_______________________________________________________________________
Never pay another Internet phone bill!
Freeserve AnyTime, for all the Internet access you want, day and
night, only £12.99 per month.
Sign-up at http://www.freeserve.com/time/anytime
---------------------------------------------------------------------
To unsubscribe, e-mail: [EMAIL PROTECTED]
For additional commands, e-mail: [EMAIL PROTECTED]
---------------------------------------------------------------------
To unsubscribe, e-mail: [EMAIL PROTECTED]
For additional commands, e-mail: [EMAIL PROTECTED]
