I enjoyed the Blue Potential. It carried an air of ridiculousness that 
accompanies anything highbrow Mills does - the idea of an orchestra playing 
some of his harder records was faintly surreal, and there is something a bit 
daft in the idea that classical musicians interpreting techno music sort of 
"validates" it which I often feel is the hidden agenda behind these sorts of 
exercises, because ultimately classical music and orchestras are seen as the 
high end of the spectrum, whilst some guy pressing buttons on a drab grey box 
is seen as the opposite end.

Funnily enough, "The Bells" was the most enjoyable interpretation alongside 
"The March".

re : C2 - I'd agree with JT - I think it'd be definitely more interesting and 
more importantly, dynamic. 



-----Original Message-----
From: JT Stewart [mailto:[EMAIL PROTECTED]
Sent: 10 January 2008 04:49
To: Frank Glazer
Cc: /0; 313@hyperreal.org
Subject: Re: (313) C2 at Carnegie Hall, well sort of


not exactly a twist was it? :P

i think c2 translated to orchestra would be tremendous. the string
arrangements would translate easily, and imagining the simple
basslines and rhythmic melodic bits played by viola and french horn or
whatever, hot dang. i never heard jeff mills' orchestra experiment,
but i imagine carl's being more striking

obviously carl already has respectable experience with live music and
adventurous instrumentation with detroit experiment

but besides, classical music and techno music are a great match,
they're both played by machines (excepting yo yo ma, who is definitely
an animal)


On Jan 9, 2008 11:16 PM, Frank Glazer <[EMAIL PROTECTED]> wrote:
> i think you missed my point, but i'm also beginning to think you're
> just a troll.

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