In a message dated 12/8/08 11:47:26 AM, [EMAIL PROTECTED] writes:

> all art is a form of caricature because it involves exaggeration and 
> emotional-expressive intent.
> 
I agree with William's core notion here. What often impresses me is not the 
exaggeration but the selection of details. That has always struck me as one of 
the quintessential gifts of an estimable "artist". Hemingway talked of the 
necessity to select the key details to convey what the scene and mood felt 
like.  
  

The painter, of course, can add or subtract elements.   The good photographer 
"composes" his picture. A portrait photography like Arnold Newman was known 
for, among other things, his posing his subject with one other object -- e.g. 
his photo of Stravinsky, with the composer occupying only the lower left corner 
of the pic, and the rest of the space dominated by the piano with its raised 
lid.

Along with William, I also esteem the New Yorker. For a great caricature, see 
the December 8 issue, page 91, for Steadman's take on Samuel Johnson.

For the writer, the most persistent, dogging question is: what to put in and 
what to leave out.


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