Cheerskep's very selective reading of my comment is self serving.   In
responding to miller's mark thread,  also said that his definition was
somewhat implication was ambiguous, meaning it could be understood to either
include or exclude marks made by humans.  I simply reinforced the possibility
of human identification and use of marks made by nature or otherwise, say, an
animal, but an attentive reading of miller's definition would include all
possible marks.    Cheerskep taking comments out of context is quite
unacceptable in reasoned discourse.  Let's leave such crudities to the
politicians and talk show crazies.
wc



________________________________
From: "[email protected]" <[email protected]>
To: [email protected]
Sent: Friday, June 26, 2009 12:38:45 PM
Subject: Re: marks

My chief objection
to the 'Marks' thread is that I was sure I was observing
listers entertaining
different notions each time they used the word. I
think the postings since my
original remark support my observation.

I proposed a working definition of
'mark':

"any visually observable change in the surface appearance of any
physical
object whatever -- painting, sculpture, building, tree, wall, pond,
mountain."

William responded: "That was Miller's definition."

But earlier
William conveyed that Miller's definition was this:

"A mark is whatever is
done to a surface in a single uninteruppted touchb&.
Miller's definition
implies marks being limited to human action
alone."

But my working definition
allowed for non-human action. So my definition
was NOT Miller's definition.
William had proposed an alteration to Miller's definition to accommodate
non-human "changes in the surface appearance of any physical object
whatever".
It is this:

"A mark could include the recognition of themb& for example, my
noticing how
a rock shows evidence of its being scratched by another rock."

I
doubt many listers would say, "Yes, right from the outset I, along with
William, counted as a 'mark' not just the physical change, but the conscious
awareness of the change."

(Remember: my gripe was that listers were chipping
in, using the same words
but without stopping to consider how often they each
had different notions
behind those words.)

Boris asserted: " We are talking
marks in connection to visual arts."

But William talked about the marks of a
poet and even of hunters and
animals in the forest.

Michael was also not
entertaining the same notion as William: "A mark is a
distinctive visual
artifact."

I think most listers would accept a completed painting or
sculpture as "a
distinctive visual artifact". But then, how would that square
with Miller's
primary requirement:

"A mark is whatever is done to a surface
in a single uninteruppted touchb&."

A whole painting in a single
uninterrupted touch?

Michael goes on:

" Style - from stylus, a writing
instrument, a thing that makes a mark.
Mark - a touching of a surface, a line
made as an indication or record of
something"

There's a connotation of "on
purpose" there. Which does not square with
William's acceptance that a rock
scraping a rock can leave a mark.

Boris would also disagree with William:
"Mark is a result of   using mark-making tool."

Then in a curious way,
Michael arrives back at a position close to part of
what William was saying:
"A mark is more than a mark--it is, if you will, a hologram of the artist,
a
way of seeing the entire picture in a single element"

Realize that almost all
these would-be clarifications were posted after my
gripe. There had been many,
many postings on the 'Marks' thread before that,
and, say I, much of the time
the lister was using the term in mistaken
assumption that when others read the
word there would arise in the readers'
minds notion serviceably like the one
in his, the lister's, mind.

The second half of my gripe was this: the thread
is fruitless. Its would-be
fruit is a compendium of the untenable and the
obvious. E.g. what Michael
says about forgers is not inapt, but there is
nothing new to it.

Recall the line from my early volley:

"Using that
definition, what NEWLY illuminating notions do you think follow
from
contemplating that definition of 'mark'?"









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