A pair of Matched SE-7s should do. I was going to ask if it had to be
dynamic or condencer but he says he'll be in the audiance so that means
he's pretty far. No not realy but I'm not sure how far dynamics hear. So
SE-7s would do. They're only $199 for a stereo matched pair.
On 9/23/2019 6:54 PM, Georgina Joyce wrote:
Hello,
A portable cardioid or shot-gun microphone taken by each speaker will give the
best results but there is going to be some handling noise. Unless the mics are
very expensive.
The common terms are omni-directional and figure 8 polar patterns that may meet
the criteria as expressed.
The choice of microphone depends upon the quality desired and the money
available. In addition to the event’s structure and location. If all
participants are co-operative.
Gena
On 23 Sep 2019, at 22:09, tim cumings <thcumi...@comcast.net> wrote:
Hi, Steve.
It depends what type of microphone you are talking about. If you mean a
standard cardioid microphone, that might work fairly well. If you meansomething
that is even more directional, like a shotgun microphone, it might be difficult
if there are multiple speakers on the stage, since you would have to move the
microphone back and forth to capture the audio from all the speakers.
Also in this particular situation I would advise that you use headphones to
insure you are getting the best possible recording.
On Sep 23, 2019, at 10:32 AM, Steve Jacobson <steve.jacob...@outlook.com> wrote:
Does anybody have experience with using a uni-directional microphone to record
a presenter at a meeting from the audience? I know there are directional
microphones that work well to allow a speaker to be picked up at a close range
while suppressing feedback, for example, but I am interested in being able to
better pick up a speaker from, say, the first row in the audience. Any
thoughts on what degree this is practical would also be of interest.
Best regards,
Steve Jacobson
Gena
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