Priyadarshan saying this makes me laugh..
His own Kancheevaram is a story of a poor weaver.. Priyadarshan went on to
exhibit his movie in lot of film festivals... Didnt he sell India's poverty
then? Dont we have rich weavers in our country? When he does its right and
someone from the west does it, he cries foul... Atleast in SDM the guy from the
slum wins his love and life and thats not the case with Kancheevaram
I feel that this is bcoz of jealousy and no other word would describe it
aptly. Its hightime that Indian directors should become more matured and raise
some meaningful comments and reviews..
Roshan <roshan.r...@gmail.com> wrote:
because its priyadarshan who said it. he is the kind of guy who'd
blatantly rip off a mallu movie without even giving credit to the
original writer/director. and when he was making movies in Kerala, he
used to copy hollywood movies. and now he suddenly started giving
authentic-expert-opinions on other movies ? that sounds really funny.
oh btw, the two movies which earned him critical acclaim few years
back - Virasat and Gardish - where ditto copies of Mani Ratnam's Tevar
Makan and Mallu Movie Kireedam respectively.
sorry.. this is supposed to be an arr forum and looks like the
discussion is going elsewhere :)
--- In arrahmanfans@yahoogroups.com, Gomzy <gomtesh.upad...@...> wrote:
>
> I really dont know why you guys are attacking him and his opinions?
What if
> it is really
> his opinion? Hes wrong cuz he has a difference in opinion?! Nice.
>
> On Sun, Feb 1, 2009 at 9:35 AM, Bergin Roy <bergin...@...> wrote:
>
> > When you look at the response & reviews of Slumdog Millionaire
from all
> > over US & UK. It's been overwhelmingly received by the audience &
critics in
> > the region, thats the fact. Even if these people blast on the film
as "its a
> > usual" thing here, the people in the west have liked it and
accepted it.
> > I've heard almost all my colleagues who watched the film (all
americans)
> > saying "Its one of the best film i've ever watched".
> >
> > So, its these people's (Priyadarshan etc) inability to take
something to
> > the world audience. The kind of reaction they show now clearly
indicates,
> > they now realize that they missed to do it and someone from the
west have
> > taken a native thing to the west and succeeded in it. It's not
Danny's fault
> > or the people who liked the movie. It's the fault of these so called
> > "creative" people as they think themselves they only give good
films in the
> > world.
> >
> >
> >
> > According to Priyadarshan, if its a good old and known story /
plot that
> > has been an usual in India, why didnt they take it and win this with
> > something they are used to already?
> >
> >
> >
> > It's a pity these people cannot tolerate the success of a foreign man
> > winning so many awards. And they'd never go and win such awards or
> > recognition until they have this attitude of pulling the fellow
frog's leg.
> >
> >
> >
> > Better try to achieve than blaming.
> >
> > - Bergin
> >
> > ------------------------------
> > *From:* V S Rawat <vsra...@...>
> > *To:* arrahmanfans@yahoogroups.com
> > *Sent:* Saturday, January 31, 2009 10:13:07 PM
> > *Subject:* Re: [arr] Priyadarshan pans Slumdog
> >
> > On 1/31/2009 9:05 PM India Time, _Chord_ wrote:
> >
> > > I've
> > > read Vikas Swarup's novel Q & A. It should have been made by Mani
> > > Ratnam. Then you'd have seen what he would have done with Mumbai."
> >
> > Mani has already made Bombay and has shown organized riots in
there. Why
> > does P think Mani would hesitate from showing what Danny has shown.
> >
> > > The angry director wonders why there isn't a single shot in Slumdog
> > > that shows the more aesthetic side of Mumbai? "Why has Danny
Boyle not
> > > taken one shot of Marine Drive? Do his slum dwellers exist only
within
> > > their slums?
> >
> > It is the director's prerogative to show what his vision is. We can
> > comment on or criticize that vision after seeing the film, but if we
> > expect director to make film as per our vision, then that would be our
> > film and not director's film. There is no rule that good side has
to be
> > shown along with bad side.
> >
> > > And look at the absurdities
A boy becomes a national hero
> > > on a game show.
> >
> > People have indeed become national and international celebrities on
> > account of TV shows.
> >
> > > One cop takes him under arrest and interrogates him
> > > relentlessly. Where is everyone else? Is this kind of confinement
> > > possible in this age when television cameras enter your bedroom?
> >
> > The confinement was only for one night or at most less than 24 hours.
> > Nobody might have even come to know about his confinement so they are
> > not able to take any step. As per government rules, even a warrant is
> > not required, even an FIR need not be filed for such a "detention"
which
> > is not an arrest. By showing that, Danny has highlighted another ugly
> > part of indian administration. Real Police is much worse than the one
> > depicted by Danny Boyle.
> >
> > > If
> > > one of our filmmakers had made the same film we would have
blasted him
> > > out of business."
> >
> > he he he.
> >
> > Our filmmakers have made many films on riots, poverty, torture, and
> > every topic.
> >
> > And we would not have felt bad about our our own filmmakers
showing all
> > those bad sides. We are finding it hurting because an outsider is
> > showing us it all.
> >
> > >
> > > "Let them give as many Oscars as they like. We don't need to be
> > > impressed," ends Priyan angrily.
> >
> > Why is he angry?
> >
> > --
> > Rawat
> >
> > ------------------------------------
> >
> > Are you searching for a reason, to be kind?
> > <b>
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