pfarrell;378151 Wrote: 
> Nearly all modern studio equipment can record at 24/96 or 24/192.
> Its trivial to do.
> 
> And if it sells better, they win.
> 
> More practically, when you record at high/wide specs, and then do
> mixdown, effects, etc. then you have less loss.
> 
> http://www.pfarrell.com/

So you're saying that a 24/96 consumer product, for example the
Transporter, is just a sales ploy?


-- 
JezA
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