Just a few comments on the conversion process. Over the past 10 years
I've converted about 2,000 LPs and open reels to digital, so have my
process down fairly pat. 

I see no big need to comment on the vinyl playback end of things - if
you've been happy with your rig for playing records, it'll be just fine
playing for the conversion. 

I've tried a number of different sound cards and convertors for the A-D
process, and surprisingly I've always gone back to an older Soundblaster
card. I kept expecting to find "better" and never did. (I've actually
pulled that card forward through 3 PC upgrades.) 

I used Adobe Audition for recording and processing. It's a bit pricey,
but I'm very comfortable with its operation and features and it
supports everything I need done. 

I'll typically record one whole side of an LP at a time, then apply any
processing and save the side as a single file. Then I open a new window,
then cut and paste the first track from the whole side to the new file.
I'll typically do a fade in/out to take out the between-track noise
(and vinyl always has some), then save the first track. 

Repeat this by opening another new window and cut/paste the second
track. Repeat until the album is done and then tag everything and then
burn the album to CD or move it to the server. 

One note about processing. Click and pop removal can really improve the
listening quality of a conversion. However, I usually ID the really
egregious pops manually. 

I tend to be very light-handed with the automated pop removal as it can
be the source of artifacts. One needs to adjust the auto settings with
every album. Depending the type of music, the instruments played and
how they were recorded, the auto correction can be easy with fantastic
results or really screw things up. The worst auto-correction I ever had
was the Harry James Sheffield album. Auto correction seemed to (very
wrongly) think a close-miked trumpet needed a lot of fixing. The
results weren't pretty and I ended up with doing no auto-processing and
just manually taking out the worst pops. 

Converting your own analog material is a wonderful option. I have LPs
and many original open-reels that simply don't exist on CD. (Stan
Kenton at Drury College in 1975 or Marimba Ideal by Domingo Bethancourt
anyone?)

Alternatively, some of the CD releases of albums originally on LP have
been so mangled in their attempts to modernize the sound that the LP is
far preferable. 

Finally, converting your analog material is also a great way to become
reacquainted with your own collection!


-- 
mlsstl
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