Good point Rob

   rgds

   Martyn
   --- On Fri, 16/3/12, Rob MacKillop <robmackil...@gmail.com> wrote:

     From: Rob MacKillop <robmackil...@gmail.com>
     Subject: [BAROQUE-LUTE] Re: What lutes for 17th century French music
     was: Ne Anthony Bailes CD
     To: "William Samson" <willsam...@yahoo.co.uk>
     Cc: "baroque-lute@cs.dartmouth.edu" <baroque-lute@cs.dartmouth.edu>
     Date: Friday, 16 March, 2012, 12:01

      Will I be shot down in flames by suggesting you don't use Spotify?
   The
      thing is a massive rip off. The musician gets almost nothing for
   being
      on it. Lady Gaga had over a million plays on it, and received just
   over
      100 dollars. Imagine what Anthony Bailes would receive... Many
      musicians are boycotting the site, including Bob Dylan, who doesn't
      need the money, but wants to support other artists.
      We all want something for free, but sometimes the cost is too high.
      I'm not talking about the income musicians get from CDs, which is
   very
      small in our lute world, but the record companies will not bother
      making any more lute recordings is even we as lute players do not
      support them.
      Sorry, Bill. I know you bought the disc, so full marks there. But I
      want others to think about using Spotify, what it entails. Sadly,
   I'm
      also on Spotify - I had no control over it, and didn't even know I
   was
      there until someone asked for a free score of pieces he was
   listening
      to me play on Spotify...and got annoyed at me when I said no.
      Rob MacKillop
      On 16 March 2012 11:31, William Samson
   <[1][1]willsam...@yahoo.co.uk>
      wrote:
          Hi Martyn,
          Go to [1][2]www.spotify.com where you can download the player
   onto
        your
          computer.
          There are then two options - you can go for the free version
   which
        has
          occasional ads between tracks, or the paid version that is
        ad-free.
          Being a Scotsman I put up with the ads!
          Best wishes,
          Bill
          From: Martyn Hodgson <[3][2]hodgsonmar...@yahoo.co.uk>
          To: William Samson <[4][3]willsam...@yahoo.co.uk>
          Sent: Friday, 16 March 2012, 11:17
          Subject: Re: [BAROQUE-LUTE] What lutes for 17th century French
        music
          was: Ne Anthony Bailes CD
          Thanks Bill - how does one access spotify?
          rgds
          M--- On Fri, 16/3/12, William Samson
   <[5][4]willsam...@yahoo.co.uk>
        wrote:
            From: William Samson <[6][5]willsam...@yahoo.co.uk>
            Subject: Re: [BAROQUE-LUTE] What lutes for 17th century French
        music
            was: Ne Anthony Bailes CD
            To: "Martyn Hodgson" <[7][6]hodgsonmar...@yahoo.co.uk>
            Date: Friday, 16 March, 2012, 10:38
          I just found that this album can be listened to on Spotify if
   you
        have
          access to it.  It's free to use in the UK, but I can't say how
        things
          are elsewhere.
          Bill
          From: Martyn Hodgson <[8][7]hodgsonmar...@yahoo.co.uk>
          To: "[9][8]baroque-lute@cs.dartmouth.edu"
        <[10][9]baroque-lute@cs.dartmouth.edu>;
          Edward Martin <[11][10]e...@gamutstrings.com>; William Samson
          <[12][11]willsam...@yahoo.co.uk>
          Sent: Friday, 16 March 2012, 9:04
          Subject: [BAROQUE-LUTE] What lutes for 17th century French music
        was:
          Ne Anthony Bailes CD
            Hi Bill,  This is indeed a fascinating subject (hence the
   change
        of
          heading).  I am told variously that the 1722 Wenger has a string
        length
          of 76 or  77cm.  It may at some stage have been converted (from
   a
          gallichon  perhaps?) to a 13 course lute before the present
          manifestation as an 11  course instrument . Again see earlier
        editions
          of Lute News for more  information/views.  The preferred
        instruments at
          the time (ie converted early 16th cenury  Italian lutes)
   generally
        had
          a string length of 68 +/-2cm. See Lute  News 94, page 28 which
        outlines
          the principle sources of evidence for  the size of lutes
   preferred
        in
          mid/late 17th century France).  But bear in mind (as Lute News
        notes)
          "Of course, this is not to say  that it is 'wrong' to play the
        music on
          such a large lute and, indeed,  the French repertoire whilst
   being
          challenging for interpretation  (precise phrasing, accent,
          articulation, mannerisms and the like), is  much less demanding
        for the
          left hand and a large instrument is clearly  quite possible:
   it's
        more
          a question of what the Old Ones themselves  might have
   expected".
          Incidentally, I make no comment one way or the other on Anthony
          Bailes's performance.  regards  Martyn  PS the CD of music
   played
        on
          this instrument which I reported as being  out over a year ago
   in
        fact
          refers to a previous CD played on the same  instrument.........
        --- On
          Fri, 16/3/12, William Samson <[2][13][12]willsam...@yahoo.co.uk>
        wrote:
          From: William Samson <[3][14][13]willsam...@yahoo.co.uk>
   Subject:
          [BAROQUE-LUTE] Re: Ne Anthony Bailes CD    To: "Martyn Hodgson"
          <[4][15][14]hodgsonmar...@yahoo.co.uk>,
        "[5][16][15]baroque-lute@cs.dartmouth.edu"
          <[6][17][16]baroque-lute@cs.dartmouth.edu>,    "Edward Martin"
          <[7][18][17]e...@gamutstrings.com>    Date: Friday, 16 March,
   2012, 8:33
             Hi
          Martyn,      Do you know what the string length of the Wenger
   is?
          Bill      From: Martyn Hodgson
        <[1][8][19][18]hodgsonmar...@yahoo.co.uk>
          To: [2][9][20][19]baroque-lute@cs.dartmouth.edu; Edward Martin
          <[3][10][21][20]e...@gamutstrings.com>      Sent: Friday, 16 March
   2012,
        8:08
            Subject: [BAROQUE-LUTE] Re: Ne Anthony Bailes CD        Dear
        Edward,
                Thank you for this notice: in fact this CD has been out in
        Europe
            for        over a year.        Unfortunately, as Anthony
   Bailes
        later
          agreed (see letters in Lute      News        from No 94, August
        2010
          on), the large Wenger lute used on the        recording (if
   indeed
        it
          was built as a lute and not a gallichon -  the
   instruments
        for
          which Wenger was best known) is not the most  suitable
   (or
          appropriate) type of instrument for playing the mid/late 17th
          century French repertoire. As you'll know, conversions of early
        16th
                century Italian instruments were then the most highly
        regarded.
                Indeed, in Lute News 95 Anthony Bailes writes: '......a
   lute
        the
          size        of the Wenger should not find acceptance as being
        ideal for
          the        performance of 17th century French lute music,......'
          regards        Martyn        --- On Fri, 16/3/12, Edward Martin
          <[1][4][11][22][21]e...@gamutstrings.com>  wrote:          From:
   Edward
        Martin
          <[2][5][12][23][22]e...@gamutstrings.com>          Subject:
        [BAROQUE-LUTE] Ne
          Anthony Bailes CD          To:
        [3][6][13][24][23]baroque-lute@cs.dartmouth.edu
                  Date: Friday, 16 March, 2012, 2:50        Dear Ones,
         For
          those on the list who enjoy well played 11-course French
   baroque
            lute, there is a new release by Abthony Bailes, on the Ramee
          label.  it is entitled, 'Une Douceur violente", and it contains
        works
                of Mouton and Gallot.  He recorded this program on his
        authentic
          lute        by Georgi Ferdinand Wenger, Augsburg, 1722.  The
        catalog
          number is        RAM 1104, and it is available in the USA, in
        usual
          outlets.        This is an announcement, not a review.  The
        instrument
          is a large        one, and the pitch is consequently quite low,
   at
        a70,
          in essence        making it in a b-minor tuning.  Beautiful
   sound
        and
          playing,  highly        recommended.        ed        Edward
        Martin
              2817 East 2nd Street        Duluth, Minnesota  55812
          e-mail:  [1][4][7][14][25][24]e...@gamutstrings.com        voice:
        [26](218) 728-1202

   [2][5][8][15][27][25]http://www.facebook.com/profile.php?id60298871&ref
   =
        name
              [3][6][9][16][28][26]http://www.myspace.com/edslute
          [4][7][10][17][29][27]http://magnatune.com/artists/edward_martin
         To get
          on or off this list see list information at

   [5][8][11][18][30][28]http://www.cs.dartmouth.edu/~wbc/lute-admin/index
   .
        html
              --      References        1.

   [9][12][19][31][29]http://us.mc817.mail.yahoo.com/mc/compose?to%C3%AD@g
   a
        mutstri
          n  [32]gs.com        2.

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   n
        ame
              3. [11][14][21][34][31]http://www.myspace.com/edslute
   4.
          [12][15][22][35][32]http://magnatune.com/artists/edward_martin
        5.

   [13][16][23][36][33]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.h
   t
        ml
          --  References      1.
   mailto:[17][24][37][34]e...@gamutstrings.com
         2.
          mailto:[18][25][38][35]e...@gamutstrings.com      3.
          mailto:[19][26][39][36]baroque-lute@cs.dartmouth.edu      4.
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             6.
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          [23][30][43][40]http://magnatune.com/artists/edward_martin
   8.

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             9.

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   t
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         --
          References  1.

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   y
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   e
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          [64][80][74]http://magnatune.com/artists/edward_martin  29.

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          --
        References
          1. [82][76]http://www.spotify.com/
          2.

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         65.
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        To get on or off this list see list information at
        [147][141]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
      --
   References
      1. mailto:[142]willsam...@yahoo.co.uk
      2. [143]http://www.spotify.com/
      3. mailto:[144]hodgsonmar...@yahoo.co.uk
      4. mailto:[145]willsam...@yahoo.co.uk
      5. mailto:[146]willsam...@yahoo.co.uk
      6. mailto:[147]willsam...@yahoo.co.uk
      7. mailto:[148]hodgsonmar...@yahoo.co.uk
      8. mailto:[149]hodgsonmar...@yahoo.co.uk
      9. mailto:[150]baroque-lute@cs.dartmouth.edu
     10. mailto:[151]baroque-lute@cs.dartmouth.edu
     11. mailto:[152]e...@gamutstrings.com
     12. mailto:[153]willsam...@yahoo.co.uk
     13. mailto:[154]willsam...@yahoo.co.uk
     14. mailto:[155]willsam...@yahoo.co.uk
     15. mailto:[156]hodgsonmar...@yahoo.co.uk
     16. mailto:[157]baroque-lute@cs.dartmouth.edu
     17. mailto:[158]baroque-lute@cs.dartmouth.edu
     18. mailto:[159]e...@gamutstrings.com
     19. mailto:[160]hodgsonmar...@yahoo.co.uk
     20. mailto:[161]baroque-lute@cs.dartmouth.edu
     21. mailto:[162]e...@gamutstrings.com
     22. mailto:[163]e...@gamutstrings.com
     23. mailto:[164]e...@gamutstrings.com
     24. mailto:[165]baroque-lute@cs.dartmouth.edu
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   m
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   --

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 145. http://us.mc817.mail.yahoo.com/mc/compose?to=willsam...@yahoo.co.uk
 146. http://us.mc817.mail.yahoo.com/mc/compose?to=willsam...@yahoo.co.uk
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