Paul Hodges <[email protected]> writes: > From: Werner LEMBERG <[email protected]> > Other grobs probably don't > need such a vertical alignment (clefs comes to my mind). > > > Actually I nearly wrote a couple of weeks ago when a clef did exactly > this. I had a clef change in the Basso continuo line at a bar in > which the first violins had a grace note at the start, and the new > clef was placed after the barline instead of before - until I added > the dummy grace note. > > > My question is why, given that Lilypond already knows that my clef or > the OP's breath mark go at the end of the current bar, having the > grace note in another part breaks that logic; the grace note (or its > absence) is in the next bar. Is this not precisely issue 34?
Well, <https://sourceforge.net/p/testlilyissues/issues/34/> Looks like "precisely" has sailed long ago. That issue appears to have become a catch-all for everything grace-timing related since the original report. With the current hand-waving scope, you may well be right. -- David Kastrup
