In an earlier email, David Casserly shared the following link, which defines 
the approach very, very well!
http://heatherandrose.org/terms.shtml
Linda



On Jun 1, 2015, at 12:37 PM, Perry Shafran <ps...@yahoo.com> wrote:

> It would help tremendously if we could have a discussion on what "global 
> terminology" is and an example of choreography that is called with such 
> terminology.  The concept is one I have not heard of before.
> 
> Perry
> 
> From: Linda Leslie via Callers <callers@lists.sharedweight.net>
> To: Andrea Nettleton <twirly-g...@bellsouth.net> 
> Cc: Caller's discussion list <call...@sharedweight.net> 
> Sent: Monday, June 1, 2015 10:33 AM
> Subject: [Callers] Global terminology in contra dances
> 
> In Jamaica Plain, MA, the ECD dancers use Window Wall and Clock Wall, rather 
> than left/right file. It is different global terminology, but works very 
> well. I don’t know the history of why these words were chosen, but I could 
> probably find out. The dancers also line up without identifying a partner, as 
> discussed at Brooke’s site. This tradition is really quite lovely. I have had 
> the opportunity to call this dance many times, so the terminology is very 
> second nature to me.
> 
> For me, the major challenge with incorporating global language into contra 
> dances has to do with ending the swing. So many contra dances depend on the 
> dancers having learned that the lady/lark/barearm/ruby/right file end on the 
> right. 
> How do we help completely new dancers learn this? 
> Do we say “swing your Neighbor and change places”? Swing your Partner and 
> change places”? 
> I recognize that experienced dancers will know this instinctively; just as 
> many dancers line up and automatically form improper lines at many contra 
> dances. 
> 
> But I am curious about how callers out there see us helping the new folks, 
> without using any role language at all.
> 
> Thanks!
> Linda
> 
> 
> 
> 
> 
> 
> On Jun 1, 2015, at 11:59 AM, Andrea Nettleton via Callers 
> <callers@lists.sharedweight.net> wrote:
> 
> 
> In previous discussions here, on FB, and privately with organizers at 
> Hampshire over the last two years, I have discussed the possible use of 
> global terminology for gender free contra.  I would contend that if used, 
> everyone would become more aware of the structure of dances.  Only the most 
> unusual figures/sequences would be unable to be called.  The addition of 
> first and second corner positions to the arsenal makes it possible for same 
> role dancers to also be called upon to dance together without reference to 
> gender.  Second corners chain, or first corners allemande L 1 1/2 for 
> example.  It would have to be agreed that this refers to those standing in 
> those positions at that moment.  In ECD we use first and second corners to 
> refer to the people, first and second diagonals for the positions.  But since 
> we use diagonal to refer to those across and over one set, this seems 
> unhelpful.  Simply corner positions works better.  I'm glad some folks are 
> trying it out at last.  I had hoped for an opportunity myself before now.
> Cheers,
> Andrea
> 
> Sent from my iOnlypretendtomultitask
> 
> On Jun 1, 2015, at 8:37 AM, Jim Hemphill via Callers 
> <callers@lists.sharedweight.net> wrote:
> 
>> The recent discussions on this topic inspired me to try an experiment in 
>> gender free calling.  Last night I called the contra dance in St. Louis 
>> using gender free calling without telling anyone.    The experiment was a 
>> great success.  I received lots of  positive feedback on the evenings dance. 
>>  At the break and after the dance I made a point to ask several dancers, 
>> some were callers as well, if they noticed anything different or unusual 
>> about the dances or how I taught them.   One person noticed that there were 
>> more dances that included a swing in the center for couple 2 than usual.  No 
>> one I talked to noticed that the calls and teaching were gender free.
>>  
>> It took some extra time to construct a fun, diverse 3 hour program, but it 
>> is certainly possible.  Re-labeling the dancers is not the only way to call 
>> gender free. 
>>  
>> If you are interested in the program I used or the larger collection of 
>> gender free dances I chose the program from, send me an email,  
>> arcadia...@gmail.com.
>>  
>> Thanks,
>> Jim Hemphill
> 
> 
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