There’s also mine, written with a more explicit intention of explaining it to 
callers who aren’t used to it.
http://lcfd.org/gf-ecd-calling-conventions.html 
<http://lcfd.org/gf-ecd-calling-conventions.html>
Read Weaver
Jamaica Plain, MA
http://lcfd.org

> On Jun 1, 2015, at 12:51 PM, Linda Leslie via Callers 
> <callers@lists.sharedweight.net> wrote:
> 
> In an earlier email, David Casserly shared the following link, which defines 
> the approach very, very well!
> http://heatherandrose.org/terms.shtml <http://heatherandrose.org/terms.shtml>
> Linda
> 
> 
> 
> On Jun 1, 2015, at 12:37 PM, Perry Shafran <ps...@yahoo.com 
> <mailto:ps...@yahoo.com>> wrote:
> 
>> It would help tremendously if we could have a discussion on what "global 
>> terminology" is and an example of choreography that is called with such 
>> terminology.  The concept is one I have not heard of before.
>> 
>> Perry
>> 
>> From: Linda Leslie via Callers <callers@lists.sharedweight.net 
>> <mailto:callers@lists.sharedweight.net>>
>> To: Andrea Nettleton <twirly-g...@bellsouth.net 
>> <mailto:twirly-g...@bellsouth.net>> 
>> Cc: Caller's discussion list <call...@sharedweight.net 
>> <mailto:call...@sharedweight.net>> 
>> Sent: Monday, June 1, 2015 10:33 AM
>> Subject: [Callers] Global terminology in contra dances
>> 
>> In Jamaica Plain, MA, the ECD dancers use Window Wall and Clock Wall, rather 
>> than left/right file. It is different global terminology, but works very 
>> well. I don’t know the history of why these words were chosen, but I could 
>> probably find out. The dancers also line up without identifying a partner, 
>> as discussed at Brooke’s site. This tradition is really quite lovely. I have 
>> had the opportunity to call this dance many times, so the terminology is 
>> very second nature to me.
>> 
>> For me, the major challenge with incorporating global language into contra 
>> dances has to do with ending the swing. So many contra dances depend on the 
>> dancers having learned that the lady/lark/barearm/ruby/right file end on the 
>> right. 
>> How do we help completely new dancers learn this? 
>> Do we say “swing your Neighbor and change places”? Swing your Partner and 
>> change places”? 
>> I recognize that experienced dancers will know this instinctively; just as 
>> many dancers line up and automatically form improper lines at many contra 
>> dances. 
>> 
>> But I am curious about how callers out there see us helping the new folks, 
>> without using any role language at all.
>> 
>> Thanks!
>> Linda

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