I think we're all a bunch of Churchillosnobs. We are standing too
close to our boy, and know too much about him, to appreciate that
there's only so much a producer can do in 90 minutes. And, given
today's level of education—when more English-speaking people know
Madonna than their Congressman or MP, 90 minutes is a generous
allotment. The best editor I ever worked for always said, "A bore is
somebody who tells everything."

As some have pointed out, "Into the Storm" is about CHURCHILL—not
Stalin or FDR or Poland or Jock Colville or Yalta—and it is more
effective than anything since Robert Hardy's multi-part "Wilderness
Years" in honestly portraying Churchill's true persona. It resists
many opportunities for cheap political hackery, as over the bombing of
Germany, "poison gas," and all the stuff so beloved of media
ignoramuses. We should be glad Ridley Scott is not one of them, that
Hugh Whitemore stuck so well to facts, and that Brendan Gleeson made
such a good WSC.

My review of "Into the Storm" is posted at
http://richardlangworth.com/2009/06/into-the-storm-the-end-of-glory
The same review will run more or less as in the summer number of
FINEST HOUR. I will gladly publish any interesting ripostes and have
already gathered in Tony's questions above, on whether certain scenes
actually happened.

PLEASE EMAIL OFFLINE.
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