Like Chris, I'm also confused about how this helps with low dancer numbers.
I also don't see how 4x4 or 3x3 help, since if you only have enough people
for a single line those formations mean more people are out?

Jeff

On Tue, Oct 25, 2022, 7:01 AM Mary Collins via Contra Callers <
contracallers@lists.sharedweight.net> wrote:

> I think maybe a comment I made may have added to this. When I said I'd use
> dbl prog it was specifically in relation to low dancer #'s and using 4 face
> 4 or 3 face 3. Not contra lines. Rarely would I use a dbl prog unless I
> have longer lines and doing contras.
>
> On Tue, Oct 25, 2022, 2:39 AM Chris Page via Contra Callers <
> contracallers@lists.sharedweight.net> wrote:
>
>> I'm dubious about using double progression in short lines.
>>
>> If there's an odd number of couples in the line:
>> In a single progression dance, there's always one couple out,
>> alternating between the top and the bottom of the line.
>> In a double progression dance, there's always one couple out at the
>> bottom of the line.
>>
>> If there's an even number of couples in the line:
>> In a single progression dance, it alternates between 0 and 2 couples
>> out at the ends, for an time-average of 1 couple out.
>> In a double progression dance with two individual progressions (like
>> Awesome Double Progression Dance), for half of one time through the
>> dance, 0 couples are out, and for the other half of the time through a
>> dance, there are 2 couples out at the ends, for a time-average of 1
>> couple out. And you always do the first half of the dance sequence
>> with the same half of the couples.
>> In a double progression dance where you progress all at once (like the
>> left diagonal right-and-left-through of Becket Reel), everyone's
>> always in. But you only dance with half the couples, which is more
>> noticeable in short lines.
>>
>> Cheers,
>> -Chris Page
>> Los Angeles, CA
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