My username can just be: jenbaek. Thanks so much for facilitating this!

On Tue, Jun 19, 2012 at 1:26 PM, Karl Fogel <[email protected]>wrote:

> Jennifer Baek <[email protected]> writes:
> >I like the idea of a response fashioned like the one theoatmeal did.
> >Maybe we can do both a visual piece as well as a written piece?
> >
> >I'm on board to help out with both in collaboration with
> >Questioncopyright. I'm in DC for the summer with too much free time.
>
> Hey, terrific.  I've CC'd the QCO editors list.  Let's make this really
> easy: tell me your preferred username, and we'll set you up with an
> editor account at QuestionCopyright.org and go from there! :-)
>
> (You'll have others actively reading and commenting, of course -- no one
> would expect you to go and do this in isolation.  We can keep this list
> in the loop as much as you want too.)
>
> Best,
> -K
>
> >On Tue, Jun 19, 2012 at 12:57 PM, Karl Fogel
> ><[email protected]> wrote:
> >
> >    FWIW, we've just been discussing over at QuestionCopyright.org
> >    whether
> >    to do a length rebuttal of David Lowery's open letter [1].
> >
> >    While it would take a while to construct a good response [2], on
> >    the
> >    other hand a good one would likely get some eyeballs -- including
> >    some
> >    of the people who saw the original.  So it's a great opportunity.
> >
> >    If anyone here is drafting such a beast, please let us know, here
> >    or via
> >    http://questioncopyright.org/contact.  A truly well-done rebuttal
> >    is
> >    something we'd love to run; we've just got other stuff in the
> >    pipeline
> >    right now that makes it hard to draft a response to this too
> >    (lesson #1:
> >    number of opportunities will always exceed available resources :-)
> >    ).
> >
> >    I saw http://piratepad.net/KY6e7xIdkm which is a good brainstorm
> >    of
> >    ideas, but not, of course, a finished piece.
> >
> >    -Karl
> >
> >    [1]
> >    http://thetrichordist.wordpress.com/2012/06/18/letter-to-emily-white-
> >    at-
> >    npr-all-songs-considered/
> >
> >    [2] http://theoatmeal.com/blog/tesla_response is one rather nice
> >    example
> >       of how to do such rebuttals :-).
> >
> >
> >
> >    Nate Otto <[email protected]> writes:
> >    >I love how the " the duration of the copyright term is pretty
> >    much
> >    >irrelevant for an ethical discussion." is so casually slipped in
> >    >there.
> >    >
> >    >The main thrust of what I've read so far is that it is not
> >    government's
> >    >responsibility to ensure that artists are fairly compensated.
> >    Except
> >    >that it is explicitly Congress's job to "promote the progress of
> >    >science and the useful arts" through arranging the underlying
> >    >principles of the marketplace.
> >    >
> >    >Governments so far have set up a metaphor of intellectual
> >    property to
> >    >guide this marketplace, and this article is fully grounded in
> >    that
> >    >tradition. I think there are problems with that metaphor that are
> >    >brought to our attention by what digital technology makes
> >    possible.
> >    >
> >    >In giving advice to people who want to work in the music
> >    industry, I
> >    >would point to reports like "The Sky is Rising" that Ali linked
> >    to and
> >    >encourage people to embrace the possibilities of business models
> >    not
> >    >built on the artificial scarcity of digital objects. It is not
> >    moral
> >    >to create scarcity out of abundance for the cause of rent
> >    seeking.
> >    >
> >    >This all might not be relevant to SFC's response to the piece,
> >    but I
> >    >completely agree that this is a moral discussion.
> >    >
> >    >But not all moral premises are valid.  When budgeting morally,
> >    what
> >    >percent of income does a generation in an average of $25k of debt
> >    have
> >    >to spend on CDs? As much as their parents could spend?
> >    >
> >    >Anyway, there is a moral discussion to be had, but it does not
> >    start
> >    >from accepting every metaphor that guided the music business
> >    before it
> >    >became possible to distribute all music to everyone who wanted it
> >    >without additional costs.
> >    >
> >    >I may have more to add in a day or two, the next time I come up
> >    for
> >    >air.
> >    >
> >    >-Nate
> >    >
> >
> >
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>
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