Mnyb wrote: 
> are that many studios still stuck in 24/48 ?

For one example, I took a really recent recording - David Bowie's
Blackstar, jut because... Looks like at least two of the tracks were
recorded or processed in 48 K, even on the "24 / 96" off HDtracks.



"To try to judge the real from the false will always be hard. In this
fast-growing art of 'high fidelity' the quackery will bear a solid gilt
edge that will fool many people" - Paul W Klipsch, 1953
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