"Jim Shorney" <[EMAIL PROTECTED]> made an utterance to the drakelist gang
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On Fri, 04 Jul 2008 10:44:50 -0400, Dan Ringer wrote:

>Amplified microphones became popular in the late 70's and early 80's, 
>concurrent with, and perhaps because of the "CB Craze":


In the case of the D104, the amplifier is an imedance matching buffer with some 
gain. This was done to 
allow the microphone to be used with the low impedance input of solid state CB 
rigs. 


>The amateur radio version of all this was that some of the "ricebox" rigs, 
>needed higher audio input to operate .  They started using preamplifiers at 
>the microphone input to get it.  Some did it by putting the preamp in the 
>microphone (Icom) others put it in the rig.

This was also a trend in the commercial radio market. I'm not sure why they 
went that way, but perhaps 
because it made dynamic mics interchangable with electret. There's also the 
possibility that they did it 
because it's easier to keep induced noise out of the mic cord when the mic 
circuit is run at a higher lever. 
I've got some old GE Phoenix radios that have a dual input, pre-amped and 
non-preamped.


>The CB version was that "power mics" were good and the louder you were 
>the, uh, louder you were.  This was not a completely untrue thought. Good 
>modulation is, . . . good, but easily abused. 


CB ops tend to like to keep the mic sitting on the table and just reach over 
and push the button. Of course, 
this creates a signal-to-noise ratio issue. You could always tell what they 
were watching on TV, how many 
dogs they had, whether or not the wife and kids were home, etc. You were a big 
dog if people could hear 
your click-click rotor box turning while your were talking. The effect is even 
worse with compressor mics like 
some of the Turner models. And then, there's the concept of "swing" - turn the 
mic up and get more 
"swing" - the more the better, right? Splatter? What's that?


>Clearly Drake 
>had a better idea!


Was there ever any doubt? :)

73

-Jim
NU0C



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