On Jan 6, 2014, at 5:16 PM, Jim Brown <j...@audiosystemsgroup.com> wrote:
> 
> Actually, it's based on things a lot more fundamental than that. In the world 
> of pro audio, we learned nearly four decades ago that non-flat amplitude 
> response is accompanied by phase shift (distortion). The ear does not like 
> phase distortion, and neither do decoders. Filters produce distortion, not 
> only when their amplitude response is changing (the slopes), but also in the 
> passband.
> 
> When i first encountered the dual-filter approach separate from the decoder 
> itself, it looked to me like a bad idea for this reason. It was good to see 
> it confirmed by G3YYD in the doc for his 2Tone RTTY decoder. BTW -- Nobel 
> Laureate Joe Taylor, K1JT, author of the WSJT digital protocols, said exactly 
> the same thing during a lecture I heard him do at Pacificon several years ago.

That said, the dual pass band filter is often useful for squashing QRM that 
also confuses the decoder. Like, when someone starts tuning up between your 
mark and space frequency….

Just don’t run it all the time. Use it for those brief times when you need it.

Bill Coleman, AA4LR, PP-ASEL        Mail: aa...@arrl.net
Web: http://boringhamradiopart.blogspot.com
Quote: "Not within a thousand years will man ever fly!"
           -- Wilbur Wright, 1901

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