..+ those who persist in operating outside these boundaries (in art or academia) are having a tougher time existing in such marginalised (sometimes engineered, sometimes otherwise) spaces.
Chunks, mez On Sat, Jan 19, 2013 at 3:10 AM, Talan Memmott <t.memm...@underacademy.org>wrote: > ** > > > > On 18 January 2013 at 15:08 Simon Biggs <si...@littlepig.org.uk> wrote: > > > ... and to respond to my own email (probably bad etiquette) one can > observe the obverse to be the case - just as plenty of research is not > necessarily instrumental so too is much art instrumental, whether > responding to a commission brief, applying for thematised funding, > completing a work destined to be sold in an art gallery or making > adjustments to a performance in response to audience feedback. Adrian's > argument has value but is too black and white... > > > > > > I would say that this is more and more so ... art becoming instrumental > (in context) And, some of this has to do with the rise of practice oriented > PhDs, where there is now the expectation, say for writers to pursue a > Creative Writing PhD. > > > > Talan Memmott, Caput Magnum > Full Digressor of Undefined Arts and Sciences > UnderAcademy College > http://underacademycollege.wordpress.com/ > TWITTER: @underacademy > > > _______________________________________________ > empyre forum > empyre@lists.cofa.unsw.edu.au > http://www.subtle.net/empyre > -- | http://mezbreeze.com/ | http://en.wikipedia.org/wiki/Mez_Breeze
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