Thanks Kirk!  

Now that was an in-depth reply -- gotta love your positive energy.  You drew a 
nice portrait of your circumstance, and I think you're onto something there.  
Hope it all gels as you hope. And, hellfuckingyeah I'd love to walk into your 
restaurant and get a blast of the presentation's shakti.  My family was in the 
restaurant business -- not your finest kind but the industrial lunch bucket 
type, and I've worked in four star restaurants, so I have experienced a whole 
range of presentations in my past, and, this gives me a basis for resonating 
with your write-up of your restaurant's eventual embodiment's energy.  Me want 
some!  

And, yeah, Kirk and Curtis, I was being twitty to question what you could get 
out of "yet more spices."  I salute your commitment to continuing education.

What's the pricing going to be for your menu?  Sounds like $20 - 30 range.  Big 
wine list with a sommelier? Maitre 'd? How many seats? Window views nice? 
Outdoor seating?  Got an address for us to do Google maps and see your location 
location location? Big dessert menu?  A bar?  What kind of decorations? -- 
paintings, hangings, plants? What garb for the waiters? -- tuxedos, uniforms, 
bow ties, aprons, or pirate shirts?  Hee hee.

Edg

--- In FairfieldLife@yahoogroups.com, "Kirk" <kirk_bernha...@...> wrote:
>
> I'll try to answer (read in).
>   ----- Original Message ----- 
>   From: Duveyoung 
>   To: FairfieldLife@yahoogroups.com 
>   Sent: Wednesday, April 22, 2009 9:27 AM
>   Subject: [FairfieldLife] Re: New Job
> 
> 
> 
> 
> 
>   --- In FairfieldLife@yahoogroups.com, "Kirk" <kirk_bernhardt@> wrote:
>   >
>   > Hi guys I am starting to work at a new and fascinating restaurant in 
>   > Exchange Place in the French Quarter. 
> 
>   Kirk,
> 
>   What kind of research do you do to be "on top  of" the restaurant scene in 
> NOLA?  Is there local coverage via newspaper columnist, or TV show, or 
> tourist guidebooks?  
>   ----Of course there is coverage but I care little for it.  Word of mouth is 
> the main thing. Plus being a cook and having worked so many places I know 
> pretty much what is going on in the city. Fine restaurants in general wont 
> hire me because I cost too much. My resume isn't good enough for me to claim 
> chef at any of them. They demand CIA or equivalent education. 
> 
>   And, fine restaurants around here all pay homage to Cajun/Creole food or 
> French and few (or none) really break out and go wild with their concepts. 
> For instance, one can freeze coconut milk and then serve excellent rum on 
> coconut ice cubes.  Sometimes simple and obvious things take a really alert 
> chef to make notes and then enact. 
> 
> 
>   The chef Chris Debarre is a genius and 
>   > for once I stand to learn a lot of new cooking ingredients and 
> techniques. 
> 
>   All these years you've been a passionate chef yourself -- can there really 
> be ingredients that you can say are new to you?  
> 
>   ----There's always new ingredients. To use Curtis' analogy, one can be a 
> great blues player and yet there will always be new songs and varieties on 
> style which are even more aluring having had some background in the first 
> place. Also, as Curtis said, ethnic cuisines are various and discrete and 
> proper use of ideal ingredients makes all the difference. My background is 
> mostly New Orleans Metro French and Creole.  Almost exclusively. So I still 
> have alot to learn.
> 
>   How do you know that  Chris has the mojo -- has ya eaten in other places 
> he's been the chef?  
> 
>   ----Actually I haven't but word of mouth from friends of mine say he's 
> cool. And I have met him and started work there so I know him. I am one of 
> his sous-chefs so I am helping to formulate the menu and implement it from 
> scratch. I am even helping remodel the place! All this makes me more integral 
> and feel more important. That's usually the most important aspect of the job 
> for me, that is, to not feel like a mere useless appendage. But his menu is 
> the mojo, and between us we can tweak stuff to be entirely delicious and not 
> merely stuck up and unusual. 
> 
> 
>   Seems to me that your intellect is capable of taking up your skills a notch 
> by hanging with another genius, but from my side,  as an inventor myself, you 
> surely must be at that stage where you can turn out a new dish every single 
> time you cook, and it'll be as creative and savory as any dish that any chef 
> can create.  98% of the customers surely wouldn't have the chops to say that 
> your menu is "less inviting" than this chef's menu, so what's your goal?  
> 
>   -----I can write menus from scratch and they would be unique, but working 
> with even more unique or more worldly chefs still broadens my purview. I 
> can't lose by expanding my range. I can only win. Moreover, I work best as 
> partners with others due to my own lack of motivation.  My goal is to be 
> associated with one of the most avant garde chefs in the country. The fact 
> that he isn't known yet means little. I have faith that he will make it to 
> the top and you will all hear about him within a few years, if not 
> immediately. Then I can thumb my nose at all those who derided me. his smarts 
> to hire me equal my smarts in working for him. I'm not sure how but we hit it 
> off from the start and he has been entirely personable to me thus far.
> 
>   I can understand working with another chef, and hoping to secure a stable 
> position of  respect there, but as for you "as an artist,"  I can't see you 
> becoming more  creative -- only creating more dishes in this chef's cuisine.  
> Are you searching for your inner cuisine -- your artistic style or genre?  
> 
>   -----No. I have my style, but I am always seeking to broaden my range and 
> become more eclectic and knowledgable. It's an insiders brag to know and use 
> not only fine ingredients but to have a knowledge of and use of unique 
> ingredients. This is about the only chance I have had in the last ten years 
> to work with a fine chef, who isn't myself. Who really has a more extensive 
> palette than me. 
> 
>   And, the really important question is, aside from your excitement at the 
> new prospect, and other than your intuitive powers (which are potent if your 
> posts are any indication,) "what has you assured that this chef's personality 
> will be harmonious with yours?"  Isn't that as important as the chef's 
> credentials and skills?
> 
>   -------Yes, well so far he respects me and defers to my input. That alone 
> is enough. Plus he isn't an asshole. That's really good enough for me.  And 
> it's rare enough as it is. I am the sort of person who searches until he 
> finds and then sticks with it. If this chef works for me, I'll work for him 
> for a long time to come.  
> 
>   -----Thanks for your unending compliments.  Deserved or not they feel good. 
> Love You.
> 
>   Edg
> 
>   > He has made the menu partially vegetarian and explores uses of exotic 
> fruits 
>   > and juices as well as ethnic cuisine. We are sure to spark a new culinary 
>   > enthusiasm in the city. I will write the menu down for you when it is 
>   > finalized. Peace for now. Loves Yahs.
> 
>   I think you've posted your menu descriptions more than once here, and 
> everytime you've made my mouth drool, so I have to ask:  What amount of drool 
> are you trying for?  I had to drink a bottle of Gatorade after reading your 
> last menu just to replentish the loss of fluids.
>   ----Haha
> 
>   >
>


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