--- In FairfieldLife@yahoogroups.com, TurquoiseB <[EMAIL PROTECTED]> wrote:
>
> Hey Shemp,
> 
> I know from past interactions that you appreciate
> some of the artworks of a fellow I know.  I saw a
> *very* rare piece of his tonight that I thought
> you would dig hearing about.
> 
> The artist in question is known for the precision
> of his line drawing.  He's reknowned for his comics,
> but his drawing has been compared to some of the
> olde masters, and with reason.  So anyway, what 
> I came across tonight was a leftover from the
> early days of him teaching himself how to draw.
> Early on, he became fascinated with Japanese ink
> painting, and the Zen of it.  It's a very Now
> artform, because the paper that the artist paints
> on is so fragile that the entire painting has to
> be done in one long brushstroke.  If you pause 
> or lift the brush from the paper, you tear it and 
> the whole piece goes in the trashbin.
> 
> Anyway, the piece I found that I know you would
> just love is from a period in which this artist
> was trying to draw like this, in one long stroke,
> never lifting his pen from the paper until the
> work was finished.  He still has a few of the
> drawings from that period, but this piece of art
> is not even pen on paper.  
> 
> It's done on an Etch-a-sketch.
> 
> And it's magnificent.  I really loved it, not only
> because the drawing is lovely, but because it's
> so incredibly fragile.  It could never be transported 
> anywhere, because if you tried to move it very far,
> whatever the mechanism is inside an Etch-a-sketch 
> machine that erases the current painting and creates
> a blank "canvas" for the next painting would get 
> activated during the move.  
> 
> The whole thing reminded me of Tibetan sand mandalas.  
> They're a very ephemeral artform as well.  Six or 
> seven monks work for six or seven months to create 
> this perfect mandala, painted in colored sand.  And 
> then at the end of the process, because the work of 
> art really can't be preserved and was never intended 
> to be preserved in the first place, the monks just 
> sweep all the sand into a sack, offer it to the gods, 
> and start on the next mandala.
> 
> This Etch-a-sketch painting is a lot like that.  It
> has managed to survive all this time, but sooner or
> later, it's going to just go away.  One of the cats
> is going to knock it over, or a maid dusting that 
> shelf is going to knock it over, and it'll be history.  
> At that point, the drawing will exist only in the mind 
> of the artist who created it and the people who were 
> fortunate enough to see it before it went away.  
> 
> I feel fortunate to be one of the latter.  I'm just 
> passing this story along because I have the weird 
> intuition that you'd appreciate it.
> 
> Unc
>

So, um... no one thought to take a photo of it?





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