That's my preference, also, and I've already re-notated the offending rhythm that way.
I've also heard there is a rule of thumb that the arranger should notate syncopations in such a way that the 3rd beat of a 4/4 bar will be apparent.
Sort of. The rules are actually a little more complicated than that but that's not a bad generalization.
Can you give me the formal, or more complete rule? I'm not trying to be argumentative, but am truly curious.
In this same transcription, I just came across a dotted half-rest followed by a quarter note; it fills the measure, but I prefer half-rest quarter-rest quarter-note.
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