> > In the series on C, don't the overtones go C, C, G, C, E, G ?
>
> Yeah, but it doesn't stop there.
>
> Continuing from where you left off:  Bb, C, D, E, F#.
>
> The Bb and F# are out of tune (by equal-tempered tuning standards).

And these upper partials are so remote that claiming that they 'explain' a
minor triad is where plausibility is stretched beyond reason.

Richard Yates


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