> > In the series on C, don't the overtones go C, C, G, C, E, G ? > > Yeah, but it doesn't stop there. > > Continuing from where you left off: Bb, C, D, E, F#. > > The Bb and F# are out of tune (by equal-tempered tuning standards).
And these upper partials are so remote that claiming that they 'explain' a minor triad is where plausibility is stretched beyond reason. Richard Yates _______________________________________________ Finale mailing list [EMAIL PROTECTED] http://lists.shsu.edu/mailman/listinfo/finale
