Dennis Bathory-Kitsz / 05.1.29 / 09:33 PM wrote: >Then you are at concerts for a different reason than I am. All I want is >the music, not personalities of performers in the way. (And I did say that >improv-based music is different -- the music is re-invented in the >performance.)
When I said 'I was moved by trombone section blew into my face', I meant the power of the emotion traveled in the air to me. When I first experienced Berliner Philharmoniker in London, my jaw dropped by the beauty of single held note from the entire violin section. It was nothing like what I used to hear on CD. I still don't get it how you can expect to feel the organic instrument sound in the air from speakers. I can't. This is also why I need acoustic piano when I write. On the other hand, my studio does a lot of mixing those which type of music are often performed live amplified, and that's a totally different story, that I have no problem listening with speakers. Last year I performed jazz improv for CIMP Record who capture the live performance (not public show but controlled environment) unedited/ unmodified. Irony, the end product made me feel I would had used compressor, micking this and that solos, etc, instead of being that organic :-) -- - Hiro Hiroaki Honshuku, A-NO-NE Music, Boston, MA <http://a-no-ne.com> <http://anonemusic.com> _______________________________________________ Finale mailing list Finale@shsu.edu http://lists.shsu.edu/mailman/listinfo/finale
