Man, the tension/release goes right back to the first inhalation/exhalation cycle performed by a human. It's all there, regardless of gender considerations.

Dean

On Feb 4, 2005, at 5:41 PM, Dennis Bathory-Kitsz wrote:

At 04:25 PM 2/4/05 -0800, Brad Beyenhof wrote:
On Sat, 05 Feb 2005 00:14:19 +0000, Owain Sutton <[EMAIL PROTECTED]>
wrote:

There have been some pretty intense commentaries about this
tension-release technique being sexually analogous and
gender-specific, and that in recent years, women composers have
emancipated their writing from the build-to-climax model implicit in
harmonic and architectural tension-release, and that women listeners
are drawn to the sound of the newer paradigm.

I'm just hoping that this whole description is a joke. If it's not, then God help us.

It was. I've learned to take most anything Dennis B-K says with a grain of salt, or a least a couple of smileys.

You should always do that. I really know nothing. I'm an observer and
pretty much of a skeptic about Western culture. But I really didn't make
idea that up. And hearing it certainly got me to look at the kind of music
that was coming into the show from the nonpop world. I make no claims, but
I'm always interested.


Who can tell if it's true at this point so soon in the cultural shift, if
there is one? I heard an extended talk late last year by Leonard Schlain,
who claims to have identified the feminization of civilization because of
television's iconography and computers' use of two-handed keyboard work,
which have together moved society toward a gender-free God and interest in
Native American culture because they light up the intuitive brain hemisphere.


Dennis



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I know what public school music has done for me. I have witnessed the journey it has provided my daughter and hundreds of other students I have been fortunate enough to teach. I am both amazed and outraged that there are those who would knowingly disenfranchise generations of humans by excising the practice and inculcation of an entire heritage from our children’s curricula.

Dean M. Estabrook

Retired Church Musician
Composer, Arranger
Adjudicator
Amateur Golfer




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