On 17.02.2006 David W. Fenton wrote:
As he should have.
Do you really think that the argument against Sawkins has been an
argument against royalties for all editions, no matter the degree of
original work included in them?
So where is the line? Two missing viola parts? Three? All the strings?
Does an oboe part count more than a viola part? Is a bass line more
valuable in baroque music than in late clssical? This is precisely the
problem the court faced.
Johannes
--
http://www.musikmanufaktur.com
http://www.camerata-berolinensis.de
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