Darcy James Argue wrote:
I agree with Raymond. For non-string players, my experience is that the relationship between the choice of enharmonic spelling and the corresponding intonation has been wildly overstated, especially when it comes to post-1900 music. As he says, a good player tunes his note using his ears, not his eyes.
Very true -- unfortunately, not all of us get to work with musicians of that caliber and so we find people who will play a G# a certain way, which will be the same way as they play the Ab, totally regardless of the position within the harmony.
-- David H. Bailey [EMAIL PROTECTED] _______________________________________________ Finale mailing list Finale@shsu.edu http://lists.shsu.edu/mailman/listinfo/finale
