Ah so ... thank you. It's my habit, upon "finishing" a score, to save
three copies: Score; Score for parts; and a score for playback. Then
I can mess around with the latter two in any given way without
screwing up the original.
Dean
Dean
On Feb 22, 2009, at 6:19 PM, Christopher Smith wrote:
Yes, enharmonics do, as well as actual note changes and
reassignments of dynamics and new expressions. But most minor
nudges do NOT transfer back to the score, unless you hold down the
override key (on Mac, the apple key.)
On Feb 22, 2009, at 7:34 PM, Dean M. Estabrook wrote:
On Feb 22, 2009, at 4:09 PM, Christopher Smith wrote:
But in my experience (MacFin07) ... if I change something in a
part (which I almost invariably must), it also goes back to the
score and changes it too. At least it seems that way to me, maybe
I'm just not noticing.
Dean
I don't know what you mean here. The enharmonic that I enter in
the SCORE is the default that gets transferred to the parts, as
everything else is, by default. If you want something to be
different in the part, change it in the part only. If you want it
to be different BOTH places, change it in the score, where
presumably you do most of the work.
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Canto ergo sum
Dean M. Estabrook
http://deanestabrook.googlepages.com/home
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