Right .... I knew that ... I just wondered if you were receiving
bucks in any way ...
Thanks,
Dean
On Sep 4, 2009, at 5:08 PM, Darcy James Argue wrote:
Hi Dean,
Some of my pieces are published via Really Good Music, the rest I
self-publish.
But that's got nothing to do with live performance royalties from
BMI or ASCAP!
Cheers,
- Darcy
-----
djar...@earthlink.net
Brooklyn, NY
On 4 Sep 2009, at 7:12 PM, Dean M. Estabrook wrote:
Darcy ... I'm just curious ... have you published any pieces, and
if so, have any been bought? If so, I assume you have received,
or will receive your 10 or whatever percent of said sales.
Dean
On Sep 4, 2009, at 3:58 PM, Darcy James Argue wrote:
Hi Terry,
If I were a classical composer, I would (theoretically) get BMI
or ASCAP royalties on all live performances. Because I'm a jazz
composer, I get nada -- at least, for US performances.
What's especially galling is that venues like the Jazz Gallery
still have to pay for BMI and ASCAP licenses, even though *none*
of that money actually goes to the composers whose work is
actually presented there.
Cheers,
- Darcy
-----
djar...@earthlink.net
Brooklyn, NY
On 4 Sep 2009, at 6:27 PM, terry cano wrote:
I'm not much up on this subject
but if you own it and it is published by you
you get royalities on any performance correct?
May not be big bucks though.
You could write up the document for one time performance yourself
it would be very straight forward
Terry
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Canto ergo sum
And,
I'd rather be composing than decomposing
Dean M. Estabrook
http://deanestabrook.googlepages.com/home
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Finale mailing list
Finale@shsu.edu
http://lists.shsu.edu/mailman/listinfo/finale
Canto ergo sum
And,
I'd rather be composing than decomposing
Dean M. Estabrook
http://deanestabrook.googlepages.com/home
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