yeah, but it is still silly. i have to apply one style in the SC
for cues and a different one for PT, then in some cases have to
also add clef change styles, which of course have to be made in
different transpositions...
Ooh, I've never had to do that with different transpositions. It's
hard for me to grasp, actually, where one would need to do that. But
I freely admit your experience is much wider than mine!
horns. i could also see it being used for passages that should be in
the tenor clef in the parts (vc/bsn) but may be preferable in treble
in C scores.
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