Thanks for that valuable info. In your Tuba list, you didn't include Eb
Treble Clef. Was that intentional?

On Tue, May 11, 2010 at 8:17 AM, Jonathan Smith <lismoremu...@wanadoo.fr>wrote:

> Hi Ryan,
>
> I direct a band here in France and play Euphonium in 2 others, so I have
> first hand experience about the transposition of Tubas & Euphoniums.
>
> There are very few players who are taught to read in C (Ut), non
> transposed, concert pitch, although most modern editions for both Euph and
> Tuba include a part in concert pitch.
>
> Most Euphoniums (Barytons or Petit Basse) over here read in the Bass Clef
> with the music transposed up a tone, still in Bass Clef. They write sib (the
> b being a flat sign) on the top of the part.
>
> A fair percentage of players can read a treble clef b flat transposed part
> similar to those produced in the USA or for the Brass Bands world wide (i.e.
> transposed up a ninth in T.C.). This is because they learn via the solfège
> system here and learn to sight sing and read notes by their names rather
> than la-la or calling them C-D-E etc., in all clefs. So going from one clef
> to another poses no problem, and if both treble and bass clef have the part
> transposed into b flat the fingerings learnt for a ré, mi, fa or whatever
> will be the same in both clefs - quite a clever and simple idea really when
> you think about it!
>
> The Tubas (Contrabasses) usually read in Bass Clef transposed up a ninth,
> in other words like the Euph transposition but an octave higher. This is
> actually very sensible as it places the major part of the instruments range
> into the staff rather than reading endless leger lines below the staff.
>
> There are some editions that include extra transposed parts for the E flat
> Basses transposed in treble clef, exactly the same as the Baritone Sax
> transposition and others that include an E flat Bass Clef transposed part
> where the part is written a major sixth higher than concert pitch - this is
> probably the one they use, especially as they have stated that they are
> instruments pitched in E flat.
>
> The approach in France (and Benelux countries) is that if the instrument is
> a "bass" type instrument it reads in the bass clef, no matter what
> transposition is called for.
>
> The E flat horns are written up a major sixth in treble clef as per normal
> band tenor horns.
>
> Every time I write or purchase a piece of music for my band I have to
> provide 3 parts for the Euphoniums and Tubas just to cover all the
> eventualities of the players we have on board or who might come along to
> help out once in a while. It's a real pain, but you get used to it, and
> eventually accept that we are all different and that's what makes life
> interesting!
>
> My advice is to use the manage parts dialogues in Finale and set up:
>
>   3 parts for Euphs:
>
> Concert (Ut)
> B Flat Bass Clef (Sib)
> B Flat Treble Clef (Sib)
>
>   4 parts for Tubas:
>
> Concert (Ut)
> B Flat Bass Clef (Sib)
> B Flat Treble Clef (Sib) (this could double up as the Bass Clarinet part)
> E Flat Bass Clef (Mib)
>
> If you set up staff styles with the respective transpositions into your
> band template(s) it's a breeze.
>
> Hope this helps,
>
> Jonathan
>
>
>
>
>  When a writing for tuba, the part should be written at sounding (concert)
>> pitch, correct? If the performer is using an Eb tuba, they don't need a
>> transposed part, do they?
>> Here's the situation, a group in France wants some of my band music.
>> However, they use Eb horns and Eb tubas. No problem to transpose the horn
>> parts for them, but I thought that Eb Tubists read concert pitch parts and
>> just learn different fingerings for the notes. Any low notes that are out
>> of
>> range (Ab and below) are automatically played an octave higher.
>> Perhaps in France the current practice is different? Would the
>> transposition
>> be similar to that of the Bari Sax?
>> It's a community group and I don't think the volunteer person (the
>> "librarian," I think) I'm dealing with is particularly musically inclined.
>> Also, I'm sure that some things are getting lost in translation.
>> Anyone have any idea what they're looking for?
>>
>
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